KPOPWORLD #6 (Yves)

KPOPWORLD #6 (KEYVITUP X VAYONN)

KPOPWORLD #5

KPOPWORLD #4

Choi Yu Reeは、親密なソングライティングを通して、脆さ、愛、恐れ、そして日々の暮らしを形づくる静かな感情を掘り下げたStayシリーズの締めくくりとなるStay: Twoについて語る。

Choi Yu Reeは自分らしさを貫く

LOONA (이달의 소녀, &quot;Girl of the Month&quot;) is a girl group formed by Blockberry Creative with one of the most ambitious pre-debut projects in K-pop history. From 2016 to 2018, each of the twelve members was individually introduced with her own solo single, music video, and lore before the full group debuted in August 2018. This elaborate rollout created an intricate &quot;LOONAVERSE&quot; mythology that captivated fans who dissected every visual clue and narrative connection. LOONA&#x27;s music spans a remarkable range of styles — from Chuu&#x27;s bubbly &quot;Heart Attack&quot; to the cinematic grandeur of &quot;Butterfly&quot; to the girl-crush energy of &quot;PTT (Paint the Town).&quot; The group gained a uniquely devoted international fandom, Orbits, who turned LOONA into an internet phenomenon long before the group achieved mainstream domestic success. Despite significant company controversies and member departures, LOONA&#x27;s creative ambition and the quality of their discography have ensured their place in K-pop history as one of the most artistically inventive groups of their generation.

LOONA

LOONAからソロアーティストとしての進化まで。Yvesが自身の歩み、創作のアイデンティティ、そして成長の裏にある苦悩について、2026年の率直で飾らない会話の中で語る。

Yvesのセルフイメージ

KEYVITUP is a five-member boy group under iNKODE, formed through the agency’s INTHE X Project. The lineup—Sena, Hyunmin, Taehwan, Rukia, and Jaein—was introduced step by step through pre-debut content, building anticipation around a team designed with a strong performance focus and a clear concept from the start. As part of a dual-group rollout, KEYVITUP was positioned with a trendy and dynamic identity, contrasting with its counterpart group. This concept highlights a more energetic and performance-driven style, setting the tone for their music and overall image even before debut. They are set to make their debut with the self-titled EP KEYVITUP, marking the official beginning of their activities. With pre-debut exposure, international stage appearances, and a defined concept, the group enters the scene with momentum and a clear direction moving forward.

KEYVITUP

最新のデジタルカバーでは、HYUNMIN、TAEHWAN、SENA、JAEIN、RUKIAに、デビューのこと、自分たちらしいサウンドを見つけていく過程、自分たちの音楽を作り上げていくこと、5人をつなぐケミストリー、そしてKEYVITUPをこれからどこへ導いていきたいのかについて話を聞いた。

KEYVITUP - The KPOPWORLD デジタルカバー

K-popのプロモーションサイクルで最も重要な要素があるとすれば、それは音楽番組、ひいては音楽番組での1位だろう

音楽番組の「1位」って実際何？ そしてグループはどうやって獲得するの？

KickFlip is a seven-member boy group under JYP Entertainment, consisting of Kyehoon, Amaru, Donghwa, Juwang, Minje, Keiju, and Donghyeon. The group was formed through the SBS audition program Loud and debuted in 2025. The group&#x27;s identity connects JYP&#x27;s idol training system with a more youthful, agile performance image. Because several members were already known from a survival-show context, KickFlip&#x27;s debut carried built-in curiosity around how the lineup would translate from trainee competition to a working group. The fandom is known as WeFlip. KickFlip is still early in its career, with its public identity centered on formation, lineup, and debut positioning rather than a long-established legacy.

KickFlip

KickFlipが新たな章を始動する準備を整えた。2027年の初ワールドツアーを前に、JYP Entertainmentの新人グループはKPOPWORLDに、ニューアルバム『KICK OFF THE WALL Pt. 1』について語った。

KickFlipがKICK OFF THE WALL Pt. 1を語る、初のワールドツアーを前に

Kep1er is a South Korean K-pop girl group formed under CJ ENM in 2021 following the Mnet show Girls Planet 999. Originally composed of nine members, the group debuted on January 3, 2022, with their first mini-album, First Impact. The group now consists of six members following the departures of Mashiro and Yeseo in July 2024, and Youngeun in March 2026.

Kep1er

7月17日、Kep1erのXiaotingはInstagramの謎めいた投稿を通じて、ソロシングル「LEGEND」と7月30日のリリースを発表した。これは、Kep1erのメンバーとしてのグループ活動に続く、Xiaoting初のソロプロジェクトとなる。

Kep1erのXiaoting、初のソロシングル「LEGEND」をリリースへ

BBGIRLSの晴れやかなビジュアルからSunmiの雨に濡れるシティスケープまで、先週のK-popリリースは季節も時代も横断。idntt、SEVENTEENのDino（Picheolin名義）、そしてSUPER JUNIORのベテランデュオがその流れをけん引した。

Comeback Corner: idntt、SUNMI、Dino ほか

TWICE is a nine-member girl group formed by JYP Entertainment through the survival show Sixteen. The lineup consists of Nayeon, Jeongyeon, Momo, Sana, Jihyo, Mina, Dahyun, Chaeyoung, and Tzuyu, with members from South Korea, Japan, and Taiwan. They debuted in October 2015 with &quot;Like Ooh-Ahh,&quot; introducing the bright, kinetic identity that would make them one of the central girl groups of K-pop&#x27;s third generation. The group&#x27;s early rise was built on an unusually clear pop formula: big choruses, memorable gestures, colorful styling, and personalities that were easy for viewers to distinguish. A run led by &quot;Cheer Up&quot; and &quot;TT&quot; turned TWICE into a national-level phenomenon in Korea, while their Japanese members helped the group cross naturally into Japan&#x27;s idol and pop markets. Rather than relying on a single vocal or dance center, TWICE worked because the lineup felt balanced as a whole: playful, approachable, and tightly rehearsed. As the members grew older, TWICE gradually expanded beyond the cute and school-age image attached to their first hits. The move from &quot;Fancy&quot; through &quot;I Can&#x27;t Stop Me&quot; kept the group&#x27;s melodic accessibility while bringing in sleeker dance-pop, disco, synth-pop, and more mature performance styling. That evolution mattered because it let TWICE remain recognizable without staying frozen in their debut concept. TWICE also became one of the clearest examples of a K-pop girl group building a long international career without losing its domestic base. Their Korean and Japanese discographies developed side by side, and later global touring brought the group to arenas and stadiums far beyond East Asia. The fandom is known as ONCE, a name that matches the group&#x27;s long-running emphasis on mutual loyalty between the members and their audience. Their legacy is not only commercial. TWICE helped define what a modern large girl group could be: member-driven, visually bright, musically immediate, and durable enough to age into a second phase. They normalized the idea that a top K-pop girl group could keep all members active across many years, shift concepts without abandoning its core warmth, and still feel like a complete team even as individual members developed solo work, acting, modeling, and unit activities.

TWICE

2025年7月19日、JYP EntertainmentのガールグループTWICEは、IncheonのInspire Arenaで&lt;THIS IS FOR&gt; World Tourを開始した。1年後、グループは2026年7月10日から7月12日までの3日間、SeoulのKSPO Domeでアンコール公演を行うために韓国へ戻り、44都市・4大陸を巡り全81公演に及んだツアーに幕を下ろした。

TWICE: <THIS IS FOR> World Tour と時代の終わり

BTS, also known as the Bangtan Boys, is a South Korean boy band formed by Big Hit Music that debuted on June 12, 2013, with the single album 2 Cool 4 Skool. Its seven members are RM (leader), Jin, Suga, J-Hope, Jimin, V, and Jungkook, with RM, Suga, and J-Hope contributing heavily to songwriting and production. The name stands for Bangtan Sonyeondan (&ldquo;Bulletproof Boy Scouts&rdquo;), reflecting a concept of resisting the pressures placed on young people.
The group broke through in 2015 with &ldquo;I Need U&rdquo; and reached a global audience with Wings and the Love Yourself series, whose Love Yourself: Tear became the first album by a Korean act to top the Billboard 200 in 2018. &ldquo;Dynamite,&rdquo; &ldquo;Butter,&rdquo; and &ldquo;Permission to Dance&rdquo; each hit No. 1 on the Billboard Hot 100. BTS is among the best-selling artists in South Korean history and partnered with UNICEF on the Love Myself campaign. Full-group activities paused from 2022 to 2025 for the members&rsquo; mandatory military service, completed when Suga was discharged in June 2025. Their tenth studio album, ARIRANG, arrived on March 20, 2026, followed by the Arirang World Tour beginning that April.

BigHit Entertainmentは、BTSがARIRANGのB面曲「NORMAL」のミュージックビデオを2026年7月17日にSpotify限定で公開すると発表した。ティーザーでは、バスルームで横並びになるメンバーの姿が描かれ、BTSらしいユーモラスなアプローチが見られる。

BTS、「NORMAL」のミュージックビデオをSpotify限定で公開へ

7月16日、JYP Entertainment傘下のINNIT Entertainmentは、コンセプトフィルムを通じて、同社の新ガールグループOURBIRTHDAYの最初の3人のメンバーを公開した。動画のタイトルは「ERROR 502: Bad Gateway」で、少女たちの紹介と、ホラー的なコンセプトの幕開けを担っている。

JYP Entertainmentの新ガールグループ OURBIRTHDAY を初公開

記憶に残るクリエイティブなアルバムパッケージは、グループのビジュアルアイデンティティを確立し、ファンに購入を促すためのK-pop業界における重要なマーケティング戦略だ。初期は標準的なジュエルケースだったが、やがてK-popアルバムは、それ自体がコレクションアイテムへと進化していった。

SM EntertainmentはK-popアルバムパッケージのルールを書き換えている

NCT 127 is the Seoul-based fixed unit of NCT, formed by SM Entertainment and debuting in July 2016. The &quot;127&quot; refers to Seoul&#x27;s longitude, grounding the unit in the city even as the broader NCT project was designed around expansion. From the beginning, NCT 127 carried the more urban, experimental side of the NCT system. The unit&#x27;s music is known for abrasive textures, unusual structures, and a heavy emphasis on rhythm. &quot;Limitless,&quot; &quot;Cherry Bomb,&quot; &quot;Regular,&quot; &quot;Kick It,&quot; and &quot;Sticker&quot; are not built like neutral pop singles; they use chants, distorted synths, sparse hooks, and strong rap sections to create a sound that can feel challenging before it becomes addictive. That willingness to be strange became the group&#x27;s signature rather than a side effect. NCT 127&#x27;s lineup has included members such as Taeyong, Johnny, Yuta, Doyoung, Jaehyun, Jungwoo, Mark, and Haechan. The unit works because those personalities pull in different directions: rap, vocal polish, dance sharpness, humor, and a fashion-forward public image all sit inside one brand. Their fandom falls under the wider NCTzen name, often shortened to Czennie. NCT 127&#x27;s importance is not just that they promoted globally or charted internationally; it is that they made SM&#x27;s most experimental boy-group ideas commercially visible. They turned risk into identity, making songs that sounded unmistakably like NCT 127 even when they divided listeners at first.

NCT 127

7月15日、SM EntertainmentはNCT 127の現メンバー7人、JOHNNY、TAEYONG、YUTA、DOYOUNG、JAEHYUN、JUNGWOO、HAECHANが同社との契約を更新したと発表した。

NCT 127の全メンバー、SM Entertainmentとの契約を更新

K-popの契約制度は、1990年代にこの業界が誕生して以来、何度も変化を重ねてきた。13年契約の“奴隷契約”から、再交渉の選択肢付きで7年へと短縮された現在まで

K-popの契約制度を解説――そして、多くのアーティストがBig Labelを離れている理由

ATEEZ is an eight-member boy group under KQ Entertainment &mdash; Hongjoong, Seonghwa, Yunho, Yeosang, San, Mingi, Wooyoung, and Jongho &mdash; who debuted in October 2018 with Treasure EP.1: All to Zero, opening a pirate-and-treasure narrative that gave their early work a cinematic frame. What set them apart was performance built on a larger-than-life scale. Without the backing of a major label, they drew attention through sharp facial expression, full-body choreography, live-stage force, and songs engineered to detonate in concert: &ldquo;Wonderland,&rdquo; &ldquo;Answer,&rdquo; &ldquo;Guerrilla,&rdquo; &ldquo;Bouncy,&rdquo; and &ldquo;Crazy Form&rdquo; all share that instinct for big chants, dramatic builds, and choruses written to be shouted back. Their roles reinforce that theatricality &mdash; Hongjoong leads and produces, Mingi anchors the rap line with his low register, Jongho delivers exceptional high notes, and San, Seonghwa, Yunho, Yeosang, and Wooyoung carry much of the performance identity. ATINY, their fandom, is known for fierce international support, the force that lifted a smaller-agency group into a global touring act. ATEEZ matter because they show how far a consistent performance identity can take a group. Loud, dark, playful, or defiant, the core stays theatrical and physical. They turned intensity into a worldview rather than a seasonal concept.

ATEEZ

ATEEZは『GOLDEN HOUR Part.5』で1つのビジュアル世界を作ったわけではない。彼らが作り上げたのは3つだった。ラグジュアリーなフォーマリズム、ストリートウェアのマキシマリズム、エディトリアルなボヘミアニズム――それぞれがファッションの参照地図の異なる領域から引かれている。

ATEEZはいかにして『GOLDEN HOUR: Part.5』でこれまでで最も野心的なファッション・ナラティブを築いたのか

SEVENTEEN is a thirteen-member boy group formed by Pledis Entertainment, debuting in May 2015. The group is organized into three internal teams: hip-hop, vocal, and performance. That structure is more than branding; it explains how SEVENTEEN functions, with members contributing to songwriting, choreography, staging, and the division of energy across a very large lineup. The members are S.Coups, Jeonghan, Joshua, Jun, Hoshi, Wonwoo, Woozi, DK, Mingyu, The8, Seungkwan, Vernon, and Dino. Their nickname as &quot;self-producing idols&quot; comes especially from Woozi&#x27;s central role in music and Hoshi&#x27;s role in performance direction, but the larger appeal is how the group makes thirteen people feel coordinated rather than crowded. SEVENTEEN&#x27;s early music leaned bright, youthful, and rhythmically nimble, with songs like &quot;Adore U,&quot; &quot;Mansae,&quot; and &quot;Very Nice&quot; presenting them as a group with unusual stage chemistry. Later releases such as &quot;Don&#x27;t Wanna Cry,&quot; &quot;Home,&quot; &quot;Left &amp; Right,&quot; &quot;Rock with you,&quot; and &quot;Super&quot; widened the scale while keeping the choreography and vocal distribution clear. Their best songs often turn teamwork itself into the hook: repeated gestures, fast transitions, and formations that reward watching the whole stage. The group&#x27;s growth into one of K-pop&#x27;s top album sellers came from consistency as much as spectacle. SEVENTEEN built trust through steady comebacks, strong variety content, and concerts that emphasized the members&#x27; humor as well as precision. Their fandom, CARAT, became part of that identity, following a group that could be technically impressive without losing warmth. SEVENTEEN&#x27;s legacy is tied to durability. Few large idol groups have kept such a clear group image while allowing so many individual personalities to stand out. As their scale expanded under the wider HYBE era, they remained recognizably Pledis-born: performance-first, member-driven, and unusually good at turning the mechanics of a big team into something emotionally easy to understand.

SEVENTEEN

3世代を代表する最強グループSEVENTEENの末っ子DINOが、別人格Picheolin名義で自身初のソロアルバムGilboard を2026年8月3日にリリースする予定だ。

SEVENTEENのDINO、別人格Picheolinとしてソロアルバム『Gilboard』をリリースへ

XLOV is a South Korean boy group formed by 257 Entertainment and currently managed by [WM Entertainment]. The group consists of four members: Wumuti, Rui, Hyun, and Haru. They debuted on January 7, 2025, with the single album I&#x27;mma Be. XLOV gained attention for promoting a genderless concept, incorporating androgynous styling and performances that challenge traditional gender norms in Kpop. The group&#x27;s name combines &quot;X,&quot; representing the unknown and negation, with &quot;LOV,&quot; symbolizing incomplete love, while their fandom name, EVOL, represents the completion of that concept. Several members were previously known through survival programs before debut. Wumuti, Rui, and Haru participated in Boys Planet, while Wumuti was also active in the project group WATERFIRE before helping form XLOV. The group is particularly noted for Wumuti&#x27;s involvement in songwriting and production, including contributions to their debut release. Since debuting, XLOV has released music including I&#x27;mma Be and I ONE, earning recognition for their distinctive concept, performance style, and growing international fanbase. In 2026, the group&#x27;s management structure changed following the acquisition of 257 Entertainment by WM Entertainment through RBW. Their music primarily incorporates elements of hip-hop, R&amp;B, and pop, while their visual identity and performances have distinguished them as one of the more unconventional rookie acts of the fifth generation of Kpop.

XLOV

7月14日、インナービューティーブランド LifePharm は、ジェンダーレスグループ XLOV が新たな Global Ambassadors に就任すると発表した。同ブランドは、K-POPアイドルのセルフケアとして紹介されている話題の栄養補助食品シリーズ「Mood Change Alpha Plus」で知られている。

XLOV、インナービューティーブランド LifePharm のアンバサダーに就任

KARD is a four-member South Korean co-ed group under DSP Media, consisting of J.Seph, BM, Somin, and Jiwoo. They officially debuted on July 19, 2017 with Hola Hola after a pre-debut project series that introduced the group through &quot;Oh NaNa,&quot; &quot;Don&#x27;t Recall,&quot; and &quot;Rumor.&quot; The group&#x27;s significance starts with its lineup structure. Co-ed idol groups are rare in modern K-pop, and KARD made that format feel central rather than novelty-based. Their performances are built around contrast: male and female vocal colors, rap and vocal handoffs, and choreography that lets the four members interact as a unit instead of splitting into separate halves. Musically, KARD became closely associated with tropical house, dancehall, Latin-pop, and club-oriented pop, sounds that helped them connect quickly with international audiences. &quot;Hola Hola&quot; established the bright version of that identity, while later singles such as &quot;Gunshot,&quot; &quot;Ring The Alarm,&quot; and &quot;Icky&quot; leaned into sharper performance energy and heavier rhythmic production. The fandom is known as Hidden KARD. KARD became one of K-pop&#x27;s clearest examples of a stable co-ed act with a global audience. Their longevity matters because they kept a distinct lane through military hiatuses, changing industry trends, and a market where most idol teams follow same-gender formats.

KARD

2016年のプレデビューから、まもなくリリースされる初であり最後のフルアルバムまで、男女混成グループKARDは、K-pop業界におけるミックスグループの可能性に挑み、その定義を塗り替えてきた。韓国にラテン要素を取り入れた音楽を広めたグループとして知られている。

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