KPOPWORLD #6 (Yves)

KPOPWORLD #6 (KEYVITUP X VAYONN)

KPOPWORLD #5

KPOPWORLD #4

Após a estreia com SPLAY : CHAPTER 01, a banda de cinco integrantes Splayit está pronta para mostrar ao público ainda mais do que sabe fazer. Com YOON CHAN, EUN BIN, KYUNG UK, AYDN e EUN CHAN

Splayit sobre Encontrar o Próprio Som e Construir a Própria Identidade

hrtz.wav is a five-member boy band under Kakao Entertainment. The group was formed through STEAL HEART CLUB and debuted with their first mini album The First Wave. The group’s formation began when Mnet announced plans to debut a new global boy band through the survival program STEAL HEART CLUB, which aired in late 2025. The program followed contestants competing in different instrumental and vocal positions to determine the final lineup of the band. The show premiered in October 2025 and concluded with a live finale in December, where the group’s official name, hrtz.wav, and its final members were revealed. The lineup was determined by position rankings, with Hagiwa as drummer, Dane as bassist, Keiten as guitarist, Riaan as vocalist, and Youn Young Jun as keyboardist. Production of the program was handled by CJ ENM, while Kakao Entertainment oversees the band’s distribution, album planning, production, and overall management. The group made their official debut with the mini album The First Wave, released on April 8, 2026.

hrtz.wav

Formado por meio do STEAL HEART CLUB da Mnet, hrtz.wav passou os meses desde sua estreia aprendendo como cinco músicos individuais podem se unir como uma banda. Seu primeiro mini-álbum, The First Wave, apresentou um som pop-rock vibrante enraizado nas emoções e experiências da juventude

hrtz.wav Estão Encontrando Seu Próprio Ritmo

Baby DONT Cry, is a South Korean girl group formed and managed by P Nation. The group consists of four members: Yihyun, Kumi, Mia, and Beni. They debuted on June 23, 2025, with the single album &quot;F Girl&quot;. The group was initially teased in early 2025 under the pre-debut name “P Girls” and confirmed as P Nation’s first official girl group later that year. Their pre-debut track “Bet You’ll Regret It” was released on June 16, 2025, building anticipation ahead of their debut. Baby DONT Cry’s debut single “F Girl” presents a bold message encouraging confidence and rejecting judgment based on external standards. The group’s concept has been described as youthful yet assertive, combining pop and performance elements with distinctive visuals. Their creative direction and early production were led by Soyeon, who played a significant role in shaping their sound and image. Baby DONT Cry’s fandom is officially named “Cherries,” symbolizing a community united by growth and joy. The group has since continued activities with subsequent releases, including the digital single “I Don’t Care” released in November 2025.. Although still early in their career, Baby DONT Cry has drawn attention for their fresh approach, strong visuals, and connections to established producers, marking a notable debut in the K-pop landscape.

Baby DONT Cry

As estrelas em ascensão Baby DONT Cry estão descobrindo novas formas de se expressar. Desde a estreia com "F Girl" em 2025, o grupo de quatro integrantes vem expandindo seu alcance para além da confiança característica, explorando sons diferentes e uma gama emocional mais ampla

Baby DONT Cry Está Aprendendo a Encontrar Força em Sons Mais Suaves

TWICE is a nine-member girl group formed by JYP Entertainment through the survival show Sixteen. The lineup consists of Nayeon, Jeongyeon, Momo, Sana, Jihyo, Mina, Dahyun, Chaeyoung, and Tzuyu, with members from South Korea, Japan, and Taiwan. They debuted in October 2015 with &quot;Like Ooh-Ahh,&quot; introducing the bright, kinetic identity that would make them one of the central girl groups of K-pop&#x27;s third generation. The group&#x27;s early rise was built on an unusually clear pop formula: big choruses, memorable gestures, colorful styling, and personalities that were easy for viewers to distinguish. A run led by &quot;Cheer Up&quot; and &quot;TT&quot; turned TWICE into a national-level phenomenon in Korea, while their Japanese members helped the group cross naturally into Japan&#x27;s idol and pop markets. Rather than relying on a single vocal or dance center, TWICE worked because the lineup felt balanced as a whole: playful, approachable, and tightly rehearsed. As the members grew older, TWICE gradually expanded beyond the cute and school-age image attached to their first hits. The move from &quot;Fancy&quot; through &quot;I Can&#x27;t Stop Me&quot; kept the group&#x27;s melodic accessibility while bringing in sleeker dance-pop, disco, synth-pop, and more mature performance styling. That evolution mattered because it let TWICE remain recognizable without staying frozen in their debut concept. TWICE also became one of the clearest examples of a K-pop girl group building a long international career without losing its domestic base. Their Korean and Japanese discographies developed side by side, and later global touring brought the group to arenas and stadiums far beyond East Asia. The fandom is known as ONCE, a name that matches the group&#x27;s long-running emphasis on mutual loyalty between the members and their audience. Their legacy is not only commercial. TWICE helped define what a modern large girl group could be: member-driven, visually bright, musically immediate, and durable enough to age into a second phase. They normalized the idea that a top K-pop girl group could keep all members active across many years, shift concepts without abandoning its core warmth, and still feel like a complete team even as individual members developed solo work, acting, modeling, and unit activities.

TWICE

TWICE anunciaram o lançamento de um novo filme-concerto intitulado TWICE: THIS IS FOR… YOU, que está previsto para chegar aos cinemas de todo o mundo a partir de 5 de fevereiro de 2027

Filme-concerto de TWICE <THIS IS FOR> está previsto para estrear em 2027 sob a Crosswalk da Bleecker Street e a Universal Pictures International

De Girls’ Generation a BIGBANG, PSY e EXO, os videoclipes de K-pop se tornaram mais do que apenas bônus visuais para os fãs — eles viraram movimentos culturais que mudam conversas e a indústria da música

Os MVs Mais Influentes da História do K-pop

Hearts2Hearts, stylized as H2H, is a South Korean girl group formed by SM Entertainment. The octet consists of Carmen, Jiwoo, Yuha, Stella, Juun, A-na, Ian, and Ye-on. They debuted on February 24, 2025, with the single album &quot;The Chase&quot; and its title track of the same name. The group’s name is intended to reflect their mission to connect with global fans through music filled with emotion and heartfelt messages. Their debut release &quot;The Chase&quot; achieved strong commercial performance, with first-week sales topping domestic charts and earning the group their first music show win shortly after debut. In June 2025, Hearts2Hearts released the digital single “Style”, followed by their first EP “Focus” in October 2025, which included the pre-released track “Pretty Please”, They also released the digital single “Rude!” in February 2026. Hearts2Hearts has performed at major events including SMTOWN Live 2025, international showcases, and festivals across Asia, building a growing global presence.

Hearts2Hearts

Hearts2Hearts, da M Entertainment, lançou seu segundo mini-álbum Lemon Tang, o próximo capítulo da icônica série de sucessos com temática de verão da empresa. Após a viralização do single pré-lançamento “RUDE!”, o álbum alcançou o primeiro lugar tanto nas paradas da Hanteo quanto da Circle

Hearts2Hearts Dão Continuidade ao Sucesso da Série de Verão da SM com ‘Lemon Tang’

Na última semana do K-pop, Kwon Eunbin, do CLC, se aposentou aos 26 anos, Shinyu, do TWS, apoiou uma campanha por crianças desaparecidas, e o Grammys apresentou uma nova categoria Asian Pop que gerou reações mistas. Histórias diferentes, o mesmo tema: uma indústria que dá com uma mão e tira com a outra

Última Semana No K-pop, Interpretada (15 a 19 de junho de 2026)

Um cantor americano de 18 anos fez um cover de uma balada coreana de 1999 — e os ouvintes coreanos estão agradecendo por isso. “Even If”, de Julian Lerner, reimagina “If Only I Had You” como dance-pop, e a recepção tem sido extremamente calorosa em uma cultura em que a influência muitas vezes seguiu na direção oposta

A versão de Julian Lerner mostra até onde a influência da música coreana realmente se espalhou

ALL(H)OURS is a South Korean boy group under EDEN Entertainment. The group debuted on January 10, 2024 with the mini album ALL OURS and the title track &quot;GOTCHA.&quot; Its lineup consists of Kunho, Youmin, Xayden, Masami, Hyunbin, Minje, and ON:N. The group&#x27;s fandom is known as Min(ut)e. The name ALL(H)OURS suggests a team that is ready to give everything at every hour, a theme that fits the group&#x27;s high-impact performance style. After debut, the group continued building its discography through releases such as WITNESS, Smoke Point, VCF, and NO DOUBT, balancing sharp choreography with direct, energetic title tracks.

ALL(H)OURS

Quando ALL(H)OURS subiu ao palco no Center Stage Theater, em Atlanta, neste fevereiro, era o ponto intermediário de algo para o qual o grupo vinha se preparando desde sua estreia, há pouco mais de dois anos — uma prova, em tempo real, de que o apetite pelo que eles fazem vai muito além das fronteiras globais

Nos bastidores com ALL(H)OURS no 1st FANCON <ALL the HOURS> na NORTH AMERICA

O K-pop construiu seu alcance global com base no fancam. Agora, enquanto Harry Styles, Phoebe Bridgers e outros defendem shows sem celulares, a questão é saber se o K-pop pretende seguir o mesmo caminho. A turnê &lt;PUT YOUR PHONE DOWN&gt; de CORTIS – esgotada

Deixe o celular de lado: K-pop e o show sem celulares

RESCENE is a five member girl group formed by The Muze Entertainment. The group consists of Woni, Liv, Minami, May and Zena. They debuted on March 26, 2024, with the single album &quot;Re:Scene&quot; which featured title track &quot;UhUh&quot; and pre-release single &quot;YoYo&quot;. Known for their fresh concept and visuals, RESCENE is part of the new generation of K-pop groups. Since their debut in 2024, they have released three EPs: &quot;SCENEDROME&quot;, &quot;Glow Up&quot; and &quot;lip bomb&quot;, further expanding their discography and fandom, REMINE. Singles such as &quot;Deja Vu&quot; and &quot;Runaway&quot; have continued their dreamy and fresh aesthetic, solidifying their place as a memorable fifth generation act.

RESCENE

“Love Attack”, do RESCENE, saiu em 2024 e teve um bom desempenho. Depois, a líder do grupo, Woni, criou um canal no YouTube — com conteúdo espontâneo, mostrando quem ela é de verdade — e, dois anos depois, a música está subindo nas paradas coreanas mais do que no lançamento

Como a líder do RESCENE fez uma música de dois anos voltar às paradas

aespa is a four-member girl group debuted by SM Entertainment in November 2020, consisting of Karina, Giselle, Winter, and Ningning. The group introduced a concept centered on virtual &quot;ae&quot; counterparts, blending real and digital worlds into an elaborate sci-fi universe often associated with KWANGYA. That metaverse-inspired setup positioned aespa at the intersection of idol pop, technology branding, and SM&#x27;s long-running taste for high-concept worldbuilding. Musically, aespa made a sharp first impression with an aggressive, synth-heavy style that matched the digital concept without depending on it completely. &quot;Black Mamba&quot;, &quot;Next Level&quot; and &quot;Savage&quot; used sudden beat changes, metallic textures, and big vocal climaxes to create a sound that felt more angular than most mainstream girl-group pop. The approach could be polarizing, but it made aespa instantly identifiable. The group&#x27;s later singles showed how flexible that identity could become. &quot;Drama&quot; pushed the cinematic side of aespa, while Supernova turned their electronic edge into something brighter, stranger, and more playful. Karina and Winter often serve as the visual and performance center of the group, Giselle gives the rap sections a casual sharpness, and Ningning brings a vocal power that lets aespa&#x27;s biggest choruses land with real force. aespa’s fandom is known as MY, and the group became one of the key fourth-generation acts by making high-concept idol pop feel commercially central rather than niche. Their importance is tied to that blend: they are an SM vocal group, a performance group, a fashion-forward girl group, and a sci-fi pop project at the same time. Even when the lore becomes less prominent, the idea remains clear: aespa turns futurism into a pop language.

aespa

Em uma única live no Instagram, Giselle, do aespa, falou sobre o desgaste físico de ser idol de K-pop, body shaming, às vezes se odiar, a cultura de golpes da indústria e o que ela realmente quer que fãs gays saibam

Giselle, do aespa, Mostra O Que Acontece Quando Idols Dizem Em Voz Alta Aquilo Que Normalmente Fica Em Silêncio

Vinte anos dominando instrumentos, idiomas e gêneros musicais — e Henry Lau só agora está fazendo sua apresentação formal para o Ocidente. Com o apoio da Universal Music e recém-saído de sua estreia no Kelly Clarkson Show, "ENJOY THE SHOW"

Por que a mudança de Henry Lau para o mercado ocidental faz todo o sentido

USPEER is a South Korean girl group currently under MW Entertainment. Originally formed under WM Entertainment, they debuted on June 4, 2025, with their first single album &quot;Speed Zone&quot;. The group&#x27;s original lineup consisted of seven members: Yeowon, Soee, Sian, Seoyu, Daon, Chaena, and Roa. Their name combines the words &quot;US&quot; and &quot;PEER&quot;, reflecting the group&#x27;s understanding of the nature of the world and their commitment to working together to create a brighter future. In January 2026, after amicably concluding negotiations over the group&#x27;s exclusive contract and trademarks, USPEER&#x27;s management was transferred to MW Entertainment. Later, in May 2026, it was announced that leader Yeowon would be leaving the group following a long hiatus.

USPEER

Há um ano, USPEER estrearam sob a WM Entertainment como um grupo de sete integrantes, com um single cheio de energia e um nome construído em torno da curiosidade coletiva. Doze meses depois, são um grupo diferente em quase todos os sentidos — agência diferente, lineup diferente

Um Ano Depois, USPEER Ainda Seguem Firmes

I.O.I is an 11-member project girl group under Swing Entertainment formed through Mnet&#x27;s survival show Produce 101. The group was managed by YMC Entertainment and CJ E&amp;M, and officially debuted on May 4, 2016 with the mini album Chrysalis and its title track Dream Girls. Their name stood for &quot;Ideal of Idol&quot;, reflecting the show&#x27;s premise of creating a &quot;national girl group&quot; chosen directly by viewers. The final lineup consisted of Nayoung, Chungha, Sejeong, Chaeyeon, Kyulkyung, Sohye, Yeonjung, Yoojung, Mina, Doyeon, and Somi. Because the members came from different agencies, I.O.I was always planned as a temporary group. During their short run, they promoted both as a full group and as a sub-unit, releasing songs like Whatta Man, Very Very Very, and Downpour. Despite being active for less than a year, I.O.I became one of the most influential project groups in K-pop. Their success helped prove the power of survival-show fandoms and paved the way for later Produce groups like Wanna One, IZ*ONE, and X1. After their disbandment in January 2017, many members continued in the industry as soloists, actors, or members of groups such as Weki Meki, gugudan, DIA, PRISTIN, Cosmic Girls, and JEON SOMI as a solo artist. In 2026, I.O.I reunited for a special 10th anniversary project, marking their first major group comeback in nearly a decade. The reunion featured nine members, with Mina and Kyulkyung not participating, and included the EP I.O.I : Loop, a pre-release track, and anniversary concerts in Seoul before additional Asia tour stops. Although I.O.I began as a temporary group, their legacy has lasted far beyond their original contract, making them one of K-pop&#x27;s defining examples of how a short-lived project group could leave a permanent mark.

I.O.I

I.O.I estiveram juntas por oito meses em 2016. Uma década depois, dois dos formatos de performance mais onipresentes do K-pop — o ending fairy e o M2 Relay Dance — têm origem direta nelas

Mesmo Após 10 Anos, I.O.I Mantém Sua Relevância no K-pop

BLACKPINK is a four-member South Korean girl group under YG Entertainment &mdash; Jisoo, Jennie, Ros&eacute;, and Lisa &mdash; who debuted on August 8, 2016 with Square One and its double single "Boombayah" and "Whistle." As YG's first girl group since 2NE1, they were positioned not as a large idol ensemble but as four sharply drawn performers, each with her own vocal tone, visual identity, and role. The name itself encodes that duality: "black" for a hard, self-assured edge, "pink" for glamour and pop accessibility. Jennie and Lisa's clipped rap sections anchor the percussive center of most songs while Jisoo and Ros&eacute; supply melodic lift, a structure recognizable across producers, languages, and markets &mdash; from the sparse whistle hook of their debut to the heavy drops of "DDU-DU DDU-DU." Scarcity shaped their ascent as much as output did. They released comparatively few songs in their early years, which turned each comeback into an event rather than a routine promotional beat. The tradeoffs were real, but attention concentrated on a tight set of songs, videos, and stage moments: "Kill This Love," "How You Like That," "Pink Venom," and "Shut Down" became templates for a global-facing K-pop built on impact, visual clarity, and instantly repeatable hooks. Their reach came from more than charts &mdash; they linked the idol system to global pop, luxury fashion, digital fandom, and festival culture, becoming the first Korean girl group at Coachella in 2019 and the first K-pop act to headline it in 2023. Western collaborations, fashion-house partnerships, and an enormous social footprint carried them to audiences with no prior interest in Korean music. All four built substantial solo careers in music, acting, fashion, and brand work, making the group a clear case of group and solo identities reinforcing each other. After renewing with YG for group activities, their individual paths grew more independent while BLACKPINK continued as a shared brand and performing unit. Their real significance lies less in records broken than in normalizing a model where a K-pop girl group functions at once as an idol act, a global pop project, and four standalone celebrity careers. Their fandom is called BLINK.

BLACKPINK

Quando a campanha de Jennie com Gentle Monster chegou ao fim e ela apareceu à frente de Ray-Ban, ninguém precisou de um comunicado oficial — a troca de marca disse tudo. Esse é o poder dos endorsements de K-celebrities: na Coreia, um rosto familiar é uma espécie de selo moral

Mais do que um rosto bonito: como as K-Celebrities se tornaram o padrão-ouro da publicidade

XLOV is a South Korean boy group formed by 257 Entertainment and currently managed by [WM Entertainment]. The group consists of four members: Wumuti, Rui, Hyun, and Haru. They debuted on January 7, 2025, with the single album I&#x27;mma Be. XLOV gained attention for promoting a genderless concept, incorporating androgynous styling and performances that challenge traditional gender norms in Kpop. The group&#x27;s name combines &quot;X,&quot; representing the unknown and negation, with &quot;LOV,&quot; symbolizing incomplete love, while their fandom name, EVOL, represents the completion of that concept. Several members were previously known through survival programs before debut. Wumuti, Rui, and Haru participated in Boys Planet, while Wumuti was also active in the project group WATERFIRE before helping form XLOV. The group is particularly noted for Wumuti&#x27;s involvement in songwriting and production, including contributions to their debut release. Since debuting, XLOV has released music including I&#x27;mma Be and I ONE, earning recognition for their distinctive concept, performance style, and growing international fanbase. In 2026, the group&#x27;s management structure changed following the acquisition of 257 Entertainment by WM Entertainment through RBW. Their music primarily incorporates elements of hip-hop, R&amp;B, and pop, while their visual identity and performances have distinguished them as one of the more unconventional rookie acts of the fifth generation of Kpop.

XLOV

XLOV passaram o último ano descobrindo exatamente o que são. "SERVE" – a faixa-título do segundo mini álbum I, God – é a primeira vez que o quadro completo se encaixa de forma tão definitiva

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