KPOPWORLD #6 (Yves)

KPOPWORLD #6 (KEYVITUP X VAYONN)

KPOPWORLD #5

KPOPWORLD #4

82Major (stylized in all caps) is a South Korean boy band formed by Great M Entertainment. The group consists of six members: Cho Seong-il, Yoon Ye-chan, Nam Seong-mo, Hwang Seong-bin, Park Seok-joon and Kim Do-gyun. The group&#x27;s name is a combination of South Korea&#x27;s calling code (+82) and the word ‘major’, expressing their desire to become a group that represents Korea. They debuted on October 11, 2023, with the single album On.

82MAJOR

82MAJOR conquistam sua primeira vitória em um programa musical — e SEONG MO, que passou mais de um ano entregando troféus no Show Champion como MC, finalmente pôde receber um

82MAJOR sobre HEAT, a primeira vitória e o que vem depois

SEVENTEEN is a thirteen-member boy group formed by Pledis Entertainment, debuting in May 2015. The group is organized into three internal teams: hip-hop, vocal, and performance. That structure is more than branding; it explains how SEVENTEEN functions, with members contributing to songwriting, choreography, staging, and the division of energy across a very large lineup. The members are S.Coups, Jeonghan, Joshua, Jun, Hoshi, Wonwoo, Woozi, DK, Mingyu, The8, Seungkwan, Vernon, and Dino. Their nickname as &quot;self-producing idols&quot; comes especially from Woozi&#x27;s central role in music and Hoshi&#x27;s role in performance direction, but the larger appeal is how the group makes thirteen people feel coordinated rather than crowded. SEVENTEEN&#x27;s early music leaned bright, youthful, and rhythmically nimble, with songs like &quot;Adore U,&quot; &quot;Mansae,&quot; and &quot;Very Nice&quot; presenting them as a group with unusual stage chemistry. Later releases such as &quot;Don&#x27;t Wanna Cry,&quot; &quot;Home,&quot; &quot;Left &amp; Right,&quot; &quot;Rock with you,&quot; and &quot;Super&quot; widened the scale while keeping the choreography and vocal distribution clear. Their best songs often turn teamwork itself into the hook: repeated gestures, fast transitions, and formations that reward watching the whole stage. The group&#x27;s growth into one of K-pop&#x27;s top album sellers came from consistency as much as spectacle. SEVENTEEN built trust through steady comebacks, strong variety content, and concerts that emphasized the members&#x27; humor as well as precision. Their fandom, CARAT, became part of that identity, following a group that could be technically impressive without losing warmth. SEVENTEEN&#x27;s legacy is tied to durability. Few large idol groups have kept such a clear group image while allowing so many individual personalities to stand out. As their scale expanded under the wider HYBE era, they remained recognizably Pledis-born: performance-first, member-driven, and unusually good at turning the mechanics of a big team into something emotionally easy to understand.

SEVENTEEN

JEONGHAN e JOSHUA, do SEVENTEEN, anunciaram que retornarão como uma nova subunit em 19 de outubro, sob o nome JxJ

JEONGHAN e JOSHUA, do SEVENTEEN, formam a nova subunit JxJ

ZEROBASEONE, commonly known as ZB1, is a five-member boy group formed through the Mnet survival show &quot;Boys Planet&quot; in 2023. They originally debuted as a nine-member group — along with AND2BLE&#x27;s members Zhang Hao, Ricky, Kim Gyuvin and Han Yujin — under WAKEONE Entertainment, with &quot;In Bloom&quot; setting first-week sales records that demonstrated the massive anticipation built through the survival show. As a project group with a limited contract period, ZB1 operates with an urgency to make every comeback count, and they have delivered with consistent chart-topping releases and sold-out concerts. The group&#x27;s strength lies in their strong individual star power combined with impressive group synergy, cultivated through the intense bonding of their competition experience. Their fandom, ZEROSE, mobilized quickly into one of the most organized fan bases in fourth-generation K-pop. ZB1 represents the continued power of the survival show format to create commercially dominant groups with built-in passionate audiences. On March 15, 2026, they held their last concert as a nine-member boy group, sparking sadness among fans, who had grown fond of the relationship that had developed between the nine boys. As YH Entertainment did not renew the contracts of Zhang Hao, Ricky, Kim Gyuvin, and Han Yujin with WAKEONE, ZB1 are now promoting their career as a five-member boy group, with Sung Hanbin, Kim Jiwoong, Seok Matthew, Kim Taerae, and Park Gunwook.

ZEROBASEONE

Seok Matthew e Park Gunwook, membros do ZEROBASEONE da WakeOne, anunciaram o lançamento, em 21 de setembro, de seu tão aguardado projeto de sub-unit sob o nome de dupla ‘EMP’

Seok Matthew e Park Gunwook, do ZEROBASEONE, Anunciam Mixtape sob a Sub-unit ‘EMP’

TOMORROW X TOGETHER, often shortened to TXT, is a five-member boy group under BIGHIT MUSIC. The group consists of Soobin, Yeonjun, Beomgyu, Taehyun, and Huening Kai. They debuted in March 2019 with The Dream Chapter: Star, becoming BigHit&#x27;s first boy group after BTS and immediately attracting heavy attention. TXT&#x27;s early identity centered on youth, friendship, imagination, and the strange emotional weather of growing up. Instead of debuting with a hard-edged performance image, they leaned into brightness, fantasy, and vulnerability on songs such as &quot;Crown,&quot; &quot;Run Away,&quot; and &quot;Blue Hour.&quot; That made the group feel distinct within fourth-generation boy-group trends, especially because their storytelling often treated adolescence as magical, confusing, and a little unstable. As their catalog developed, TXT added sharper pop-rock, emo, and dance influences through songs like &quot;0X1=LOVESONG,&quot; &quot;LO$ER=LOVER,&quot; &quot;Sugar Rush Ride,&quot; and &quot;Chasing That Feeling.&quot; The members&#x27; strengths map cleanly onto that evolution: Soobin&#x27;s calm leadership, Yeonjun&#x27;s performance charisma, Beomgyu&#x27;s color, Taehyun&#x27;s vocal focus, and Huening Kai&#x27;s bright tone all help the group move between softness and intensity. TXT&#x27;s fandom is known as MOA, short for Moments of Alwaysness. The group&#x27;s significance is tied to how carefully they built a coming-of-age identity across albums, videos, and performances. Rather than defining themselves through a single sound, TXT became a group about transition itself: childhood into adulthood, fantasy into reality, and polished idol pop into something more emotionally restless.

TOMORROW X TOGETHER

Quando a Dolce &amp; Gabbana nomeou SOOBIN como seu mais novo embaixador, começou pela skincare. Ao lado dos retratos de moda esperados, suas imagens de estreia colocam pele de vidro e produtos em primeiro plano. Não foi uma escolha aleatória

SOOBIN, Dolce & Gabbana e o poder crescente da K-beauty masculina

Grupos rookies dominaram os lançamentos mais recentes de K-pop desta semana, com músicas intensas, dramáticas, suaves e leves

Comeback Corner: IU, YOUNGTAK, NAZE & MORE

Um cantor americano de 18 anos fez um cover de uma balada coreana de 1999 — e os ouvintes coreanos estão agradecendo por isso. “Even If”, de Julian Lerner, reimagina “If Only I Had You” como dance-pop, e a recepção tem sido extremamente calorosa em uma cultura em que a influência muitas vezes seguiu na direção oposta

A versão de Julian Lerner mostra até onde a influência da música coreana realmente se espalhou

ALL(H)OURS is a South Korean boy group under EDEN Entertainment. The group debuted on January 10, 2024 with the mini album ALL OURS and the title track &quot;GOTCHA.&quot; Its lineup consists of Kunho, Youmin, Xayden, Masami, Hyunbin, Minje, and ON:N. The group&#x27;s fandom is known as Min(ut)e. The name ALL(H)OURS suggests a team that is ready to give everything at every hour, a theme that fits the group&#x27;s high-impact performance style. After debut, the group continued building its discography through releases such as WITNESS, Smoke Point, VCF, and NO DOUBT, balancing sharp choreography with direct, energetic title tracks.

ALL(H)OURS

Quando ALL(H)OURS subiu ao palco no Center Stage Theater, em Atlanta, neste fevereiro, era o ponto intermediário de algo para o qual o grupo vinha se preparando desde sua estreia, há pouco mais de dois anos — uma prova, em tempo real, de que o apetite pelo que eles fazem vai muito além das fronteiras globais

Nos bastidores com ALL(H)OURS no 1st FANCON <ALL the HOURS> na NORTH AMERICA

O K-pop construiu seu alcance global com base no fancam. Agora, enquanto Harry Styles, Phoebe Bridgers e outros defendem shows sem celulares, a questão é saber se o K-pop pretende seguir o mesmo caminho. A turnê &lt;PUT YOUR PHONE DOWN&gt; de CORTIS – esgotada

Deixe o celular de lado: K-pop e o show sem celulares

RESCENE is a five member girl group formed by The Muze Entertainment. The group consists of Woni, Liv, Minami, May and Zena. They debuted on March 26, 2024, with the single album &quot;Re:Scene&quot; which featured title track &quot;UhUh&quot; and pre-release single &quot;YoYo&quot;. Known for their fresh concept and visuals, RESCENE is part of the new generation of K-pop groups. Since their debut in 2024, they have released three EPs: &quot;SCENEDROME&quot;, &quot;Glow Up&quot; and &quot;lip bomb&quot;, further expanding their discography and fandom, REMINE. Singles such as &quot;Deja Vu&quot; and &quot;Runaway&quot; have continued their dreamy and fresh aesthetic, solidifying their place as a memorable fifth generation act.

RESCENE

“Love Attack”, do RESCENE, saiu em 2024 e teve um bom desempenho. Depois, a líder do grupo, Woni, criou um canal no YouTube — com conteúdo espontâneo, mostrando quem ela é de verdade — e, dois anos depois, a música está subindo nas paradas coreanas mais do que no lançamento

Como a líder do RESCENE fez uma música de dois anos voltar às paradas

aespa is a four-member girl group debuted by SM Entertainment in November 2020, consisting of Karina, Giselle, Winter, and Ningning. The group introduced a concept centered on virtual &quot;ae&quot; counterparts, blending real and digital worlds into an elaborate sci-fi universe often associated with KWANGYA. That metaverse-inspired setup positioned aespa at the intersection of idol pop, technology branding, and SM&#x27;s long-running taste for high-concept worldbuilding. Musically, aespa made a sharp first impression with an aggressive, synth-heavy style that matched the digital concept without depending on it completely. &quot;Black Mamba&quot;, &quot;Next Level&quot; and &quot;Savage&quot; used sudden beat changes, metallic textures, and big vocal climaxes to create a sound that felt more angular than most mainstream girl-group pop. The approach could be polarizing, but it made aespa instantly identifiable. The group&#x27;s later singles showed how flexible that identity could become. &quot;Drama&quot; pushed the cinematic side of aespa, while Supernova turned their electronic edge into something brighter, stranger, and more playful. Karina and Winter often serve as the visual and performance center of the group, Giselle gives the rap sections a casual sharpness, and Ningning brings a vocal power that lets aespa&#x27;s biggest choruses land with real force. aespa’s fandom is known as MY, and the group became one of the key fourth-generation acts by making high-concept idol pop feel commercially central rather than niche. Their importance is tied to that blend: they are an SM vocal group, a performance group, a fashion-forward girl group, and a sci-fi pop project at the same time. Even when the lore becomes less prominent, the idea remains clear: aespa turns futurism into a pop language.

aespa

Em uma única live no Instagram, Giselle, do aespa, falou sobre o desgaste físico de ser idol de K-pop, body shaming, às vezes se odiar, a cultura de golpes da indústria e o que ela realmente quer que fãs gays saibam

Giselle, do aespa, Mostra O Que Acontece Quando Idols Dizem Em Voz Alta Aquilo Que Normalmente Fica Em Silêncio

Vinte anos dominando instrumentos, idiomas e gêneros musicais — e Henry Lau só agora está fazendo sua apresentação formal para o Ocidente. Com o apoio da Universal Music e recém-saído de sua estreia no Kelly Clarkson Show, "ENJOY THE SHOW"

Por que a mudança de Henry Lau para o mercado ocidental faz todo o sentido

USPEER is a South Korean girl group currently under MW Entertainment. Originally formed under WM Entertainment, they debuted on June 4, 2025, with their first single album &quot;Speed Zone&quot;. The group&#x27;s original lineup consisted of seven members: Yeowon, Soee, Sian, Seoyu, Daon, Chaena, and Roa. Their name combines the words &quot;US&quot; and &quot;PEER&quot;, reflecting the group&#x27;s understanding of the nature of the world and their commitment to working together to create a brighter future. In January 2026, after amicably concluding negotiations over the group&#x27;s exclusive contract and trademarks, USPEER&#x27;s management was transferred to MW Entertainment. Later, in May 2026, it was announced that leader Yeowon would be leaving the group following a long hiatus.

USPEER

Há um ano, USPEER estrearam sob a WM Entertainment como um grupo de sete integrantes, com um single cheio de energia e um nome construído em torno da curiosidade coletiva. Doze meses depois, são um grupo diferente em quase todos os sentidos — agência diferente, lineup diferente

Um Ano Depois, USPEER Ainda Seguem Firmes

I.O.I is an 11-member project girl group under Swing Entertainment formed through Mnet&#x27;s survival show Produce 101. The group was managed by YMC Entertainment and CJ E&amp;M, and officially debuted on May 4, 2016 with the mini album Chrysalis and its title track Dream Girls. Their name stood for &quot;Ideal of Idol&quot;, reflecting the show&#x27;s premise of creating a &quot;national girl group&quot; chosen directly by viewers. The final lineup consisted of Nayoung, Chungha, Sejeong, Chaeyeon, Kyulkyung, Sohye, Yeonjung, Yoojung, Mina, Doyeon, and Somi. Because the members came from different agencies, I.O.I was always planned as a temporary group. During their short run, they promoted both as a full group and as a sub-unit, releasing songs like Whatta Man, Very Very Very, and Downpour. Despite being active for less than a year, I.O.I became one of the most influential project groups in K-pop. Their success helped prove the power of survival-show fandoms and paved the way for later Produce groups like Wanna One, IZ*ONE, and X1. After their disbandment in January 2017, many members continued in the industry as soloists, actors, or members of groups such as Weki Meki, gugudan, DIA, PRISTIN, Cosmic Girls, and JEON SOMI as a solo artist. In 2026, I.O.I reunited for a special 10th anniversary project, marking their first major group comeback in nearly a decade. The reunion featured nine members, with Mina and Kyulkyung not participating, and included the EP I.O.I : Loop, a pre-release track, and anniversary concerts in Seoul before additional Asia tour stops. Although I.O.I began as a temporary group, their legacy has lasted far beyond their original contract, making them one of K-pop&#x27;s defining examples of how a short-lived project group could leave a permanent mark.

I.O.I

I.O.I estiveram juntas por oito meses em 2016. Uma década depois, dois dos formatos de performance mais onipresentes do K-pop — o ending fairy e o M2 Relay Dance — têm origem direta nelas

Mesmo Após 10 Anos, I.O.I Mantém Sua Relevância no K-pop

BLACKPINK is a four-member South Korean girl group formed by YG Entertainment, consisting of Jisoo, Jennie, Rosé, and Lisa. They debuted on August 8, 2016 with Square One, led by &quot;Boombayah&quot; and &quot;Whistle,&quot; and arrived as YG&#x27;s first new girl group after 2NE1. From the beginning, the group was presented less as a large idol ensemble and more as four sharply individualized performers, each with a distinct vocal tone, visual identity, and public role. The group&#x27;s name captures the tension that became central to their image: &quot;black&quot; for a harder, more self-assured edge and &quot;pink&quot; for glamour, playfulness, and pop accessibility. Their music often builds around that contrast. Jennie and Lisa&#x27;s rap sections give many songs a clipped, percussive center, while Jisoo and Rosé&#x27;s vocals provide melodic lift and emotional color. This structure made BLACKPINK songs easy to recognize even across different producers, languages, and markets; the group could move from the spare whistle hook of their debut to the maximal drops of &quot;DDU-DU DDU-DU&quot; and still feel like the same act. BLACKPINK&#x27;s rise was also shaped by scarcity. Compared with many idol groups, they released relatively few songs in their first several years, which made each comeback feel closer to an event than a routine promotional cycle. That strategy had tradeoffs, but it concentrated public attention on a small set of songs, videos, styling choices, and stage moments. Tracks such as Kill This Love, How You Like That, Pink Venom, and Shut Down became reference points for a global-facing K-pop style built around impact, visual clarity, and immediately repeatable hooks. Their international growth came from more than chart performance. BLACKPINK connected K-pop&#x27;s idol system with the language of global pop, luxury fashion, digital fandom, and festival stages. They were the first Korean girl group to perform at Coachella in 2019 and returned in 2023 as the first K-pop act to headline the festival. Collaborations with Western pop artists, major fashion-house relationships, and an unusually large YouTube and social-media footprint helped make the members visible to audiences who did not necessarily follow Korean music closely. As individual artists, all four members developed major careers in music, acting, fashion, and brand work, making BLACKPINK one of the clearest examples of a modern K-pop group whose group identity and solo identities reinforce each other. After renewing with YG for group activities, the members&#x27; individual paths became more independent while BLACKPINK remained active as a shared brand and performance unit. Their significance is not only that they broke records, but that they helped normalize a model where a K-pop girl group could operate simultaneously as an idol act, a global pop project, and a set of four standalone celebrity careers. The fandom is known as BLINK.

BLACKPINK

Quando a campanha de Jennie com Gentle Monster chegou ao fim e ela apareceu à frente de Ray-Ban, ninguém precisou de um comunicado oficial — a troca de marca disse tudo. Esse é o poder dos endorsements de K-celebrities: na Coreia, um rosto familiar é uma espécie de selo moral

Mais do que um rosto bonito: como as K-Celebrities se tornaram o padrão-ouro da publicidade

XLOV is a South Korean boy group formed by 257 Entertainment and currently managed by [WM Entertainment]. The group consists of four members: Wumuti, Rui, Hyun, and Haru. They debuted on January 7, 2025, with the single album I&#x27;mma Be. XLOV gained attention for promoting a genderless concept, incorporating androgynous styling and performances that challenge traditional gender norms in Kpop. The group&#x27;s name combines &quot;X,&quot; representing the unknown and negation, with &quot;LOV,&quot; symbolizing incomplete love, while their fandom name, EVOL, represents the completion of that concept. Several members were previously known through survival programs before debut. Wumuti, Rui, and Haru participated in Boys Planet, while Wumuti was also active in the project group WATERFIRE before helping form XLOV. The group is particularly noted for Wumuti&#x27;s involvement in songwriting and production, including contributions to their debut release. Since debuting, XLOV has released music including I&#x27;mma Be and I ONE, earning recognition for their distinctive concept, performance style, and growing international fanbase. In 2026, the group&#x27;s management structure changed following the acquisition of 257 Entertainment by WM Entertainment through RBW. Their music primarily incorporates elements of hip-hop, R&amp;B, and pop, while their visual identity and performances have distinguished them as one of the more unconventional rookie acts of the fifth generation of Kpop.

XLOV

XLOV passaram o último ano descobrindo exatamente o que são. "SERVE" – a faixa-título do segundo mini álbum I, God – é a primeira vez que o quadro completo se encaixa de forma tão definitiva

“SERVE” Deep Dive: XLOV Sabem Exatamente O Que Estão Servindo

hrtz.wav is a five-member boy band under Kakao Entertainment. The group was formed through STEAL HEART CLUB and debuted with their first mini album The First Wave. The group’s formation began when Mnet announced plans to debut a new global boy band through the survival program STEAL HEART CLUB, which aired in late 2025. The program followed contestants competing in different instrumental and vocal positions to determine the final lineup of the band. The show premiered in October 2025 and concluded with a live finale in December, where the group’s official name, hrtz.wav, and its final members were revealed. The lineup was determined by position rankings, with Hagiwa as drummer, Dane as bassist, Keiten as guitarist, Riaan as vocalist, and Youn Young Jun as keyboardist. Production of the program was handled by CJ ENM, while Kakao Entertainment oversees the band’s distribution, album planning, production, and overall management. The group made their official debut with the mini album The First Wave, released on April 8, 2026.

hrtz.wav

O baterista de hrtz.wav nunca mostrou o rosto. Hagiwa se apresenta, compete e promove tudo atrás de uma máscara — seu nome verdadeiro, idade e identidade não foram revelados

Por que a estreia de hrtz.wav soa diferente em todas as frequências

O Africa Day de Seoul é um desafio direto a uma indústria que há muito tempo se apropriou da cultura negra sem encarar plenamente o que isso significa. Este ano, Fatou, do BLACKSWAN, tornou-se a primeira idol de K-pop a se apresentar no evento

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