KPOPWORLD #5

KPOPWORLD #4

KPOPWORLD #3

KPOPWORLD #2 (Poster Version)

2026年10月28日〜31日にAlamodomeを席巻へ

KPOPWORLD Festival & Worldwide Dance Competition

idntt (아이덴티티; read as identity) is an upcoming 24-member boy group under MODHAUS. They are set to make their debut sometime in 2026. The group consists of members divided into 3 rotational sub-units consisting of 8 members each - uneverm8t, yesw8are and itsnotov8r.

idntt

新アルバム &lt;itsnotover&gt; にあたり、idntt はKPOPWORLD と対談し、これまで歩んできた道のり、このグループに求められてきたこと、そして決して手放したくないものについて語った。

idntt: The KPOPWORLD Digital Cover

EPEX [‘i:peks] (이펙스), formerly known as C9ROOKIES (C9루키즈) is a 7-member South Korean boy group under C9 Entertainment, consisting of Wish, MU, A-Min, Baekseung, Ayden, Yewang, and Jeff. On November 21, 2025, it was announced that Keum had left the group. They debuted on June 8, 2021, with their first EP album, BIPOLAR Pt.1 : 불안의 서 (Prelude of Anxiety)

EPEX

三部作を締めくくるのは簡単だ。だが、その物語を実際に生きた人たちの手に返して終えるとなれば、話は別。EPEXの「Youth: Epilogue」は、2年にわたる3枚のアルバムで描いてきた青春の物語を締めくくる作品だ。

EPEX、Youthのエピローグ、主体性、そして成長を語る

XLOV is a South Korean boy group formed by 257 Entertainment and currently managed by [WM Entertainment]. The group consists of four members: Wumuti, Rui, Hyun, and Haru. They debuted on January 7, 2025, with the single album I&#x27;mma Be. XLOV gained attention for promoting a genderless concept, incorporating androgynous styling and performances that challenge traditional gender norms in Kpop. The group&#x27;s name combines &quot;X,&quot; representing the unknown and negation, with &quot;LOV,&quot; symbolizing incomplete love, while their fandom name, EVOL, represents the completion of that concept. Several members were previously known through survival programs before debut. Wumuti, Rui, and Haru participated in Boys Planet, while Wumuti was also active in the project group WATERFIRE before helping form XLOV. The group is particularly noted for Wumuti&#x27;s involvement in songwriting and production, including contributions to their debut release. Since debuting, XLOV has released music including I&#x27;mma Be and I ONE, earning recognition for their distinctive concept, performance style, and growing international fanbase. In 2026, the group&#x27;s management structure changed following the acquisition of 257 Entertainment by WM Entertainment through RBW. Their music primarily incorporates elements of hip-hop, R&amp;B, and pop, while their visual identity and performances have distinguished them as one of the more unconventional rookie acts of the fifth generation of Kpop.

XLOV

7月14日、インナービューティーブランド LifePharm は、ジェンダーレスグループ XLOV が新たな Global Ambassadors に就任すると発表した。同ブランドは、K-POPアイドルのセルフケアとして紹介されている話題の栄養補助食品シリーズ「Mood Change Alpha Plus」で知られている。

XLOV、インナービューティーブランド LifePharm のアンバサダーに就任

K-popの契約制度は、1990年代にこの業界が誕生して以来、何度も変化を重ねてきた。13年契約の“奴隷契約”から、再交渉の選択肢付きで7年へと短縮された現在まで

K-popの契約制度を解説――そして、多くのアーティストがBig Labelを離れている理由

VVUP is a global girl group under EgoENT that officially debuted on April 1, 2024, with the single &quot;Locked On&quot;. The group’s name uses a double &quot;V&quot; to create a &quot;W&quot; for &quot;Win,&quot; symbolizing their goal to continuously rise to the top of the music industry. Known for their high-energy performances and 5th-generation &quot;teen crush&quot; concept, they have quickly become a rising force in K-pop. The group originally debuted as a four-member lineup consisting of Hyunny, Suyeon, Kim, and Paan. However, in August 2024, the agency announced that leader and main rapper Hyunny would be departing the group to focus on her health and recovery. Following a brief period as a trio, the group added a new member, Jiyoon, in January 2025, restoring VVUP to a four-member lineup.

VVUP

VVUP、"House Party "でスクリーンに火をつける

MODHAUSのジェイデン・ジョンCEO、初の著書『Sense of Planning』を出版

HUNTR/X is a fictional 3-member Korean girl group, created for the Netflix animation film, KPop Demon Hunters. The group consists of Rumi, Mira, and Zoey. They debuted on June 20, 2025, with an unspecified release.

HUNTR/X

レビューEJAE - "イン・アナザー・ワールド"

DEAN、音楽と香りの架け橋となる "ノクターン07（for aerse）"

ATEEZ is an eight-member boy group formed by KQ Entertainment, consisting of Hongjoong, Seonghwa, Yunho, Yeosang, San, Mingi, Wooyoung, and Jongho. They debuted in October 2018 with Treasure EP.1: All to Zero, launching a pirate-and-treasure storyline that gave their early music a cinematic frame. ATEEZ stood out because their performances felt oversized in the best way. Even before they had the company power of larger labels behind them, the group built attention through intense facial expressions, full-bodied choreography, live-stage energy, and songs designed to explode in concert. &quot;Wonderland,&quot; &quot;Answer,&quot; &quot;Guerrilla,&quot; &quot;Bouncy,&quot; and &quot;Crazy Form&quot; all show that instinct for scale: big chants, dramatic builds, and a sense that every chorus is meant to be shouted back. The members&#x27; roles support that theatrical style. Hongjoong anchors the group as leader and producer, Mingi gives the rap line a deep tone, Jongho brings unusually strong high notes, and San, Seonghwa, Yunho, Yeosang, and Wooyoung shape much of the performance identity. ATEEZ&#x27;s fanbase, ATINY, became known for strong international support, helping the group grow from a smaller-agency act into a major global touring name. ATEEZ&#x27;s significance comes from proving how far performance identity can carry a group when it is consistent. Their concepts can be loud, dark, playful, or rebellious, but the core remains theatrical and physical. They made intensity feel like a worldview, not just a comeback style.

ATEEZ

ATEEZ、"フロム（2018年）"で7周年を祝う

XLOV、2026年ヨーロッパ・ツアーの大幅拡大を発表

SF9 (Sensational Feeling 9) is a nine-member boy group formed by FNC Entertainment, debuting in October 2016. The group — Youngbin, Inseong, Jaeyoon, Dawon, Zuho, Rowoon, Taeyang, Hwiyoung, and Chani — first gained attention through the Mnet dance competition show &quot;d.o.b&quot; (Dance or Band). Their early releases leaned into a sleek, sexy concept, with &quot;Roar&quot; and &quot;O Sole Mio&quot; showcasing their polished performance skills. SF9 found broader mainstream recognition largely through member Rowoon, who became one of South Korea&#x27;s most in-demand actors, starring in hit dramas that introduced the group to wider audiences. Musically, the group delivered consistent quality with tracks like &quot;Now or Never,&quot; &quot;Good Guy,&quot; and &quot;Trauma,&quot; blending pop with R&amp;B and dance music. Their fandom, FANTASY, has remained loyal through the ups and downs of the competitive K-pop landscape. SF9 represents a group that balanced idol and acting careers effectively, with multiple members pursuing dual paths in music and drama.

6年ぶりのステージ復帰は、単なるノスタルジーを超える重みを帯びていた。その間、メンバーの入隊、脱退、編成の変化が相次ぎ、グループのケミストリーを容易に崩しかねない状況が続いてきた。

SF9 Live in London：再創造と不屈の証

Wonder Girls were a girl group formed by JYP Entertainment, debuting in February 2007. The group — whose most well-known lineup included Sunye, Yeeun, Sohee, Yubin, and Hyerim — became one of the defining acts of second-generation K-pop. Their 2007 single &quot;Tell Me&quot; sparked a national dance craze in South Korea, with the retro choreography being replicated everywhere from schools to military barracks. Follow-up hits &quot;So Hot&quot; and &quot;Nobody&quot; were equally massive. Wonder Girls made history as the first K-pop group to enter the Billboard Hot 100, with &quot;Nobody&quot; charting in 2009 during their ambitious attempt to break into the American market. While their U.S. promotions had mixed results, the group&#x27;s pioneering efforts helped pave the way for future K-pop acts in the West. In their later years, Wonder Girls reinvented themselves as a self-playing band, releasing the critically acclaimed album &quot;Reboot.&quot; The group disbanded in 2017, but their legacy as trailblazers in K-pop&#x27;s global expansion is firmly established.

Wonder Girls

SUNMI、初のアルバム『HEART MAID』を発表

SHINee is a boy group formed by SM Entertainment, debuting in May 2008 with &quot;Replay.&quot; The group consists of Onew, Jonghyun, Key, Minho, and Taemin. SM promoted them as a &quot;contemporary band,&quot; a phrase that fit their role as trendsetters in music, choreography, styling, and performance. SHINee&#x27;s catalog moved quickly from the smooth youthfulness of &quot;Replay&quot; into sharper electronic pop and hybrid performance tracks. Later records like &quot;View&quot; and &quot;1 of 1&quot; showed how far they could push taste while staying accessible, bringing deep house, retro R&amp;B, and fashion-conscious presentation into mainstream idol pop. Their dances were often technical without feeling stiff, and their vocals gave even experimental tracks a polished center. The members built unusually strong individual identities: Onew as a warm vocalist, Jonghyun as a songwriter and one of K-pop&#x27;s most expressive singers, Key as a style and variety standout, Minho as an athletic performer and actor, and Taemin as a solo performer whose work influenced later idols. Jonghyun&#x27;s death in 2017 remains an important and painful part of SHINee&#x27;s history, and the group&#x27;s later activities are often understood through both grief and continuity. SHINee&#x27;s fandom is known as Shawol. Their legacy is deep because they were not only popular; they were influential in ways that became part of K-pop&#x27;s basic vocabulary. Later groups inherited their emphasis on difficult choreography, distinctive styling, strong solo identities, and the idea that idol pop could be both polished and genuinely adventurous.

SHINee

ONEW、2026年に『ONEW the Live: Percent (%)』USツアー開催を発表

TWICE is a nine-member girl group formed by JYP Entertainment through the survival show Sixteen. The lineup consists of Nayeon, Jeongyeon, Momo, Sana, Jihyo, Mina, Dahyun, Chaeyoung, and Tzuyu, with members from South Korea, Japan, and Taiwan. They debuted in October 2015 with &quot;Like Ooh-Ahh,&quot; introducing the bright, kinetic identity that would make them one of the central girl groups of K-pop&#x27;s third generation. The group&#x27;s early rise was built on an unusually clear pop formula: big choruses, memorable gestures, colorful styling, and personalities that were easy for viewers to distinguish. A run led by &quot;Cheer Up&quot; and &quot;TT&quot; turned TWICE into a national-level phenomenon in Korea, while their Japanese members helped the group cross naturally into Japan&#x27;s idol and pop markets. Rather than relying on a single vocal or dance center, TWICE worked because the lineup felt balanced as a whole: playful, approachable, and tightly rehearsed. As the members grew older, TWICE gradually expanded beyond the cute and school-age image attached to their first hits. The move from &quot;Fancy&quot; through &quot;I Can&#x27;t Stop Me&quot; kept the group&#x27;s melodic accessibility while bringing in sleeker dance-pop, disco, synth-pop, and more mature performance styling. That evolution mattered because it let TWICE remain recognizable without staying frozen in their debut concept. TWICE also became one of the clearest examples of a K-pop girl group building a long international career without losing its domestic base. Their Korean and Japanese discographies developed side by side, and later global touring brought the group to arenas and stadiums far beyond East Asia. The fandom is known as ONCE, a name that matches the group&#x27;s long-running emphasis on mutual loyalty between the members and their audience. Their legacy is not only commercial. TWICE helped define what a modern large girl group could be: member-driven, visually bright, musically immediate, and durable enough to age into a second phase. They normalized the idea that a top K-pop girl group could keep all members active across many years, shift concepts without abandoning its core warmth, and still feel like a complete team even as individual members developed solo work, acting, modeling, and unit activities.

TWICE

TWICEはどこへでも行く：北米、ヨーロッパ、オセアニアを回る360°THIS IS FORアリーナ・ツアー

TOMORROW X TOGETHER, often shortened to TXT, is a five-member boy group under BIGHIT MUSIC. The group consists of Soobin, Yeonjun, Beomgyu, Taehyun, and Huening Kai. They debuted in March 2019 with The Dream Chapter: Star, becoming BigHit&#x27;s first boy group after BTS and immediately attracting heavy attention. TXT&#x27;s early identity centered on youth, friendship, imagination, and the strange emotional weather of growing up. Instead of debuting with a hard-edged performance image, they leaned into brightness, fantasy, and vulnerability on songs such as &quot;Crown,&quot; &quot;Run Away,&quot; and &quot;Blue Hour.&quot; That made the group feel distinct within fourth-generation boy-group trends, especially because their storytelling often treated adolescence as magical, confusing, and a little unstable. As their catalog developed, TXT added sharper pop-rock, emo, and dance influences through songs like &quot;0X1=LOVESONG,&quot; &quot;LO$ER=LOVER,&quot; &quot;Sugar Rush Ride,&quot; and &quot;Chasing That Feeling.&quot; The members&#x27; strengths map cleanly onto that evolution: Soobin&#x27;s calm leadership, Yeonjun&#x27;s performance charisma, Beomgyu&#x27;s color, Taehyun&#x27;s vocal focus, and Huening Kai&#x27;s bright tone all help the group move between softness and intensity. TXT&#x27;s fandom is known as MOA, short for Moments of Alwaysness. The group&#x27;s significance is tied to how carefully they built a coming-of-age identity across albums, videos, and performances. Rather than defining themselves through a single sound, TXT became a group about transition itself: childhood into adulthood, fantasy into reality, and polished idol pop into something more emotionally restless.

TOMORROW X TOGETHER

TXT ユニセフ・メンタルヘルス・キャンペーンでオフラインにメッセージを発信

Stray Kids is an eight-member boy group under JYP Entertainment, consisting of Bang Chan, Lee Know, Changbin, Hyunjin, Han, Felix, Seungmin, and I.N. The group was introduced through the 2017 survival program Stray Kids and officially debuted in March 2018 with I Am Not, following the pre-debut release &quot;Hellevator.&quot; Former member Kim Woojin left in 2019. The group&#x27;s identity is unusually tied to self-production. Before debut, Bang Chan had already gathered the members around a team-first concept, and the production trio 3RACHA -- Bang Chan, Changbin, and Han -- became the engine behind much of Stray Kids&#x27; sound. That gave the group a different center of gravity from many idol acts: the music often felt like it came from inside the team rather than being assigned to them. Musically, Stray Kids are known for dense rap writing, aggressive electronic textures, sudden rhythmic switches, and choruses built for performance impact. &quot;God&#x27;s Menu,&quot; &quot;Back Door,&quot; &quot;Thunderous,&quot; &quot;Maniac,&quot; and &quot;S-Class&quot; made their style easy to identify: noisy in the intentional sense, but organized around hooks, slogans, and choreography that fans could immediately hold onto. Their lyrics often return to pressure, self-definition, ambition, and the awkward process of growing into confidence. The members&#x27; contrast is a major part of the group&#x27;s appeal. Bang Chan anchors the team as leader and producer; Changbin and Han give the rap line speed and personality; Lee Know, Hyunjin, and Felix shape the performance image; Seungmin and I.N bring clearer melodic balance. Rather than smoothing those differences out, Stray Kids usually lean into them, making their songs feel crowded, restless, and unmistakably theirs. Stray Kids became one of the defining global boy groups of the fourth generation, with a fandom known as STAY and major touring success across Asia, North America, Europe, and beyond. Their rise helped prove that a self-producing idol group could scale internationally while keeping a specific sonic fingerprint. Even when the group experiments with genre or language, the core idea remains stable: Stray Kids make high-impact pop out of tension, noise, teamwork, and control.

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