KPOPWORLD #6 (Yves)

KPOPWORLD #6 (KEYVITUP X VAYONN)

KPOPWORLD #5

KPOPWORLD #4

Após a estreia com SPLAY : CHAPTER 01, a banda de cinco integrantes Splayit está pronta para mostrar ao público ainda mais do que sabe fazer. Com YOON CHAN, EUN BIN, KYUNG UK, AYDN e EUN CHAN

Splayit sobre Encontrar o Próprio Som e Construir a Própria Identidade

hrtz.wav is a five-member boy band under Kakao Entertainment. The group was formed through STEAL HEART CLUB and debuted with their first mini album The First Wave. The group’s formation began when Mnet announced plans to debut a new global boy band through the survival program STEAL HEART CLUB, which aired in late 2025. The program followed contestants competing in different instrumental and vocal positions to determine the final lineup of the band. The show premiered in October 2025 and concluded with a live finale in December, where the group’s official name, hrtz.wav, and its final members were revealed. The lineup was determined by position rankings, with Hagiwa as drummer, Dane as bassist, Keiten as guitarist, Riaan as vocalist, and Youn Young Jun as keyboardist. Production of the program was handled by CJ ENM, while Kakao Entertainment oversees the band’s distribution, album planning, production, and overall management. The group made their official debut with the mini album The First Wave, released on April 8, 2026.

hrtz.wav

Formado por meio do STEAL HEART CLUB da Mnet, hrtz.wav passou os meses desde sua estreia aprendendo como cinco músicos individuais podem se unir como uma banda. Seu primeiro mini-álbum, The First Wave, apresentou um som pop-rock vibrante enraizado nas emoções e experiências da juventude

hrtz.wav Estão Encontrando Seu Próprio Ritmo

Baby DONT Cry, is a South Korean girl group formed and managed by P Nation. The group consists of four members: Yihyun, Kumi, Mia, and Beni. They debuted on June 23, 2025, with the single album &quot;F Girl&quot;. The group was initially teased in early 2025 under the pre-debut name “P Girls” and confirmed as P Nation’s first official girl group later that year. Their pre-debut track “Bet You’ll Regret It” was released on June 16, 2025, building anticipation ahead of their debut. Baby DONT Cry’s debut single “F Girl” presents a bold message encouraging confidence and rejecting judgment based on external standards. The group’s concept has been described as youthful yet assertive, combining pop and performance elements with distinctive visuals. Their creative direction and early production were led by Soyeon, who played a significant role in shaping their sound and image. Baby DONT Cry’s fandom is officially named “Cherries,” symbolizing a community united by growth and joy. The group has since continued activities with subsequent releases, including the digital single “I Don’t Care” released in November 2025.. Although still early in their career, Baby DONT Cry has drawn attention for their fresh approach, strong visuals, and connections to established producers, marking a notable debut in the K-pop landscape.

Baby DONT Cry

As estrelas em ascensão Baby DONT Cry estão descobrindo novas formas de se expressar. Desde a estreia com "F Girl" em 2025, o grupo de quatro integrantes vem expandindo seu alcance para além da confiança característica, explorando sons diferentes e uma gama emocional mais ampla

Baby DONT Cry Está Aprendendo a Encontrar Força em Sons Mais Suaves

TWICE is a nine-member girl group formed by JYP Entertainment through the survival show Sixteen. The lineup consists of Nayeon, Jeongyeon, Momo, Sana, Jihyo, Mina, Dahyun, Chaeyoung, and Tzuyu, with members from South Korea, Japan, and Taiwan. They debuted in October 2015 with &quot;Like Ooh-Ahh,&quot; introducing the bright, kinetic identity that would make them one of the central girl groups of K-pop&#x27;s third generation. The group&#x27;s early rise was built on an unusually clear pop formula: big choruses, memorable gestures, colorful styling, and personalities that were easy for viewers to distinguish. A run led by &quot;Cheer Up&quot; and &quot;TT&quot; turned TWICE into a national-level phenomenon in Korea, while their Japanese members helped the group cross naturally into Japan&#x27;s idol and pop markets. Rather than relying on a single vocal or dance center, TWICE worked because the lineup felt balanced as a whole: playful, approachable, and tightly rehearsed. As the members grew older, TWICE gradually expanded beyond the cute and school-age image attached to their first hits. The move from &quot;Fancy&quot; through &quot;I Can&#x27;t Stop Me&quot; kept the group&#x27;s melodic accessibility while bringing in sleeker dance-pop, disco, synth-pop, and more mature performance styling. That evolution mattered because it let TWICE remain recognizable without staying frozen in their debut concept. TWICE also became one of the clearest examples of a K-pop girl group building a long international career without losing its domestic base. Their Korean and Japanese discographies developed side by side, and later global touring brought the group to arenas and stadiums far beyond East Asia. The fandom is known as ONCE, a name that matches the group&#x27;s long-running emphasis on mutual loyalty between the members and their audience. Their legacy is not only commercial. TWICE helped define what a modern large girl group could be: member-driven, visually bright, musically immediate, and durable enough to age into a second phase. They normalized the idea that a top K-pop girl group could keep all members active across many years, shift concepts without abandoning its core warmth, and still feel like a complete team even as individual members developed solo work, acting, modeling, and unit activities.

TWICE

TWICE anunciaram o lançamento de um novo filme-concerto intitulado TWICE: THIS IS FOR… YOU, que está previsto para chegar aos cinemas de todo o mundo a partir de 5 de fevereiro de 2027

Filme-concerto de TWICE <THIS IS FOR> está previsto para estrear em 2027 sob a Crosswalk da Bleecker Street e a Universal Pictures International

De Girls’ Generation a BIGBANG, PSY e EXO, os videoclipes de K-pop se tornaram mais do que apenas bônus visuais para os fãs — eles viraram movimentos culturais que mudam conversas e a indústria da música

Os MVs Mais Influentes da História do K-pop

O K-pop no Coachella em 2026 apareceu de três formas muito diferentes – HUNTR/X juntando-se a KATSEYE para um momento "Golden" inesperado no primeiro dia, Taemin do SHINee fazendo história como o primeiro solista masculino de K-pop a se apresentar no festival no segundo dia, e o BIGBANG finalmente subindo ao palco seis anos depois de uma pandemia ter adiado sua estreia no terceiro dia

Como a Presença do K-pop no Coachella Evoluiu ao Longo dos Anos

KATSEYE is a multinational girl group formed through the reality competition series Dream Academy, a collaboration between HYBE and Geffen Records. The group debuted in June 2024 with the single &quot;Debut&quot;. KATSEYE consists of six members from different countries: Daniela Avanzini, Lara Rajagopalan, Manon Bannerman, Megan Skiendiel, Sophia Laforteza, and Yoonchae Jeong. The group was created to combine Kpop training with a global pop approach, featuring members from North America, Europe, and Asia. The group first gained attention through the documentary series The Debut: Dream Academy (or Pop Star Academy: KATSEYE on Netflix), which followed the trainees&#x27; journey during the Dream Academy project and the process of forming the final lineup. KATSEYE&#x27;s music blends elements of pop, dance, and K-pop-influenced production while targeting a global audience with multilingual promotion and international activities.

KATSEYE

KATSEYE foi criada com uma premissa específica – um girl group global etnicamente diverso, treinado sob o sistema do K-pop, pensado para representar como a música pop poderia ser quando realmente reflete seu público

KATSEYE foi construída sobre a diversidade – então por que sua única integrante negra foi deixada de lado?

NCT, short for Neo Culture Technology, is a boy group project under SM Entertainment. The system was built around multiple units, changing combinations, and regional expansion rather than a single fixed lineup, making NCT one of SM&#x27;s most ambitious idol structures. The project began publicly through NCT U in 2016, then expanded through fixed or semi-fixed units such as NCT 127, NCT Dream, WayV, and NCT WISH. Each unit carries a different role: Seoul-based performance, youth-to-adult growth, Chinese-language promotion, rotational experiments, and the final new-team expansion. NCT&#x27;s music is often associated with dense production, experimental structures, and performance-heavy arrangements. The group&#x27;s system allowed SM to place members in songs by concept, which helped produce very different sounds under the same brand without asking every unit to serve the same identity. The project also made member identity central to the fan experience. NCTzen follows not only the full brand but also unit dynamics, cross-unit collaborations, and individual member activities, which makes the profile more complex than a normal group page. NCT is both a group brand and a structure for multiple teams. That structure shaped how SM approached global boy-group promotion from the mid-2010s onward, making the project as much about organization and unit design as individual songs.

No espaço de uma semana, o NCT perdeu dois membros fundadores – Mark saiu do grupo completamente, enquanto Ten deixou a SM Entertainment mas permaneceu membro ativo do NCT e do WayV

Com MARK e Ten deixando a SM Entertainment, o que vem a seguir para o NCT?

Quando Mark Lee confirmou sua saída do NCT após uma década, a reação foi diferente de tudo que o K-pop já viu. Em 24 horas, sua carta escrita à mão acumulou milhões de curtidas, compartilhamentos e comentários — mas o que mais chamou atenção não foram os números

Mark Lee deixou o NCT — e a reação é diferente de todas as outras

ITZY is a five-member girl group formed by JYP Entertainment, consisting of Yeji, Lia, Ryujin, Chaeryeong, and Yuna. They debuted in February 2019 with &quot;Dalla Dalla&quot;, a song built around self-acceptance, difference, and the refusal to fit neatly into other people&#x27;s expectations. ITZY&#x27;s early identity was direct and performance-forward. &quot;Icy&quot;, &quot;Wannabe&quot; and &quot;Not Shy&quot; expanded the same confidence-first message with sharper choreography, chant-like hooks, and a visual style that mixed teen crush, streetwear, and runway attitude. Their dances became a major part of the group&#x27;s public image, with Ryujin&#x27;s shoulder move in &quot;Wannabe&quot; standing out as one of the most recognizable fourth-generation choreography moments. The group&#x27;s strength is the way its members divide the performance picture. Yeji gives ITZY a precise leader and dance center, Lia brings a warmer vocal tone, Ryujin anchors the cool charisma, Chaeryeong adds technical dance detail, and Yuna gives the group a bright visual spark. Even when the music shifted into different textures, that balance kept ITZY recognizable as a group built around motion, confidence, and clean stage impact. ITZY&#x27;s fandom is known as MIDZY. Their place in K-pop comes from helping define the fourth-generation girl-group language of self-confidence: louder than simple cuteness, less dark than some girl-crush concepts, and built for fans who wanted slogans they could actually say back to themselves.

ITZY

Em fevereiro, o grupo ITZY apresentou uma versão atualizada do lado B de 2020, "THAT'S A NO NO", durante a turnê – e em questão de semanas uma faixa pouco conhecida de seis anos se tornou um desafio no TikTok, subiu nas paradas coreanas e garantiu ao grupo uma apresentação especial no MCountdown

“THAT'S A NO NO” do ITZY e o poder da viralidade 

Pitchfork deu à ARIRANG do BTS 5.3 – e a reação de uma parte da base de fãs foi rápida e feia

Um crítico coreano-americano avaliou ARIRANG – A reação falou mais do que a nota

Quando Heeseung, do ENHYPEN, deixou o grupo em 10 de março, os fãs não se limitaram às redes sociais

Até Onde É Demais Ao Defender Idols de K-pop?

Visuais gerados por IA em videoclipes de K-pop não são novidade, mas estão se tornando cada vez mais difíceis de ignorar

O K-pop está normalizando visuais gerados por IA – e isso está se tornando um problema

O modelo de grupos de projeto produziu alguns dos maiores atos do K-pop. Também é um dos pontos cegos emocionais menos examinados da indústria

Grupos de projeto estão em alta no K-pop — mas a que custo?

Park Jin Young está deixando o cargo de diretor interno na JYP Entertainment – e faz todo sentido

JYP Sempre Foi Primeiro um Artista — e Agora Ele Está Provando Isso

ENHYPEN is a boy group formed through the 2020 survival show I-LAND and managed by Belift Lab, currently made up of Jungwon, Jay, Jake, Sunghoon, Sunoo, and Ni-ki. They debuted in November 2020 with Border: Day One, arriving with a global audience already in place from the show and a concept organized around connection, transformation, and fate. Their early work used dark, dramatic imagery to pull away from brighter rookie formulas. "Given-Taken," "Drunk-Dazed," "Fever," and the later Dimension and Dark Blood eras leaned on supernatural metaphor, sharp choreography, and a push-pull between elegance and danger &mdash; which made them feel less like a survival-show byproduct than a group with an ongoing storyline. The member appeal is heavily performance-driven: Jungwon holds a steady center as leader, Jay and Jake bring international texture, Sunghoon's figure-skating background shapes his clean stage presence, Sunoo adds brightness and contrast, and Ni-ki anchors the dance line with rare precision for a maknae. Their fandom, ENGENE, grew fast because the group's identity rewarded close reading &mdash; music, lore, and member development all unfolding at once. As a fourth-generation act, ENHYPEN sit at the junction of survival-show fandom and global idol scale. They demonstrated that a group could debut with a transnational audience already watching, then hold it through consistent visual storytelling, polished performance, and songs that treated adolescence as mythic rather than ordinary.

ENHYPEN

HEESEUNG está saindo. Não no fim de um contrato, mas em seu auge. Sua carta aos ENGENEs fala de trabalhos pessoais mantidos em privado, de ambições que ele não quis colocar à frente do grupo e de uma decisão tomada após "um longo período de deliberação".

O Fim de uma Era: HEESEUNG Deixa o ENHYPEN — E Ninguém Esperava

BLACKPINK is a four-member South Korean girl group under YG Entertainment &mdash; Jisoo, Jennie, Ros&eacute;, and Lisa &mdash; who debuted on August 8, 2016 with Square One and its double single "Boombayah" and "Whistle." As YG's first girl group since 2NE1, they were positioned not as a large idol ensemble but as four sharply drawn performers, each with her own vocal tone, visual identity, and role. The name itself encodes that duality: "black" for a hard, self-assured edge, "pink" for glamour and pop accessibility. Jennie and Lisa's clipped rap sections anchor the percussive center of most songs while Jisoo and Ros&eacute; supply melodic lift, a structure recognizable across producers, languages, and markets &mdash; from the sparse whistle hook of their debut to the heavy drops of "DDU-DU DDU-DU." Scarcity shaped their ascent as much as output did. They released comparatively few songs in their early years, which turned each comeback into an event rather than a routine promotional beat. The tradeoffs were real, but attention concentrated on a tight set of songs, videos, and stage moments: "Kill This Love," "How You Like That," "Pink Venom," and "Shut Down" became templates for a global-facing K-pop built on impact, visual clarity, and instantly repeatable hooks. Their reach came from more than charts &mdash; they linked the idol system to global pop, luxury fashion, digital fandom, and festival culture, becoming the first Korean girl group at Coachella in 2019 and the first K-pop act to headline it in 2023. Western collaborations, fashion-house partnerships, and an enormous social footprint carried them to audiences with no prior interest in Korean music. All four built substantial solo careers in music, acting, fashion, and brand work, making the group a clear case of group and solo identities reinforcing each other. After renewing with YG for group activities, their individual paths grew more independent while BLACKPINK continued as a shared brand and performing unit. Their real significance lies less in records broken than in normalizing a model where a K-pop girl group functions at once as an idol act, a global pop project, and four standalone celebrity careers. Their fandom is called BLINK.

BLACKPINK

Pergunte a alguém para citar um grupo de K-pop e é bem provável que digam BLACKPINK. O que é menos óbvio é o quão pequeno de fato é o catálogo do grupo em quase uma década — e ainda assim turnês em estádios, manchetes no Coachella, domínio global em marcas

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