KPOPWORLD #6 (Yves)

KPOPWORLD #6 (KEYVITUP X VAYONN)

KPOPWORLD #5

KPOPWORLD #4

Choi Yu Reeは、親密なソングライティングを通して、脆さ、愛、恐れ、そして日々の暮らしを形づくる静かな感情を掘り下げたStayシリーズの締めくくりとなるStay: Twoについて語る。

Choi Yu Reeは自分らしさを貫く

LOONA (이달의 소녀, &quot;Girl of the Month&quot;) is a girl group formed by Blockberry Creative with one of the most ambitious pre-debut projects in K-pop history. From 2016 to 2018, each of the twelve members was individually introduced with her own solo single, music video, and lore before the full group debuted in August 2018. This elaborate rollout created an intricate &quot;LOONAVERSE&quot; mythology that captivated fans who dissected every visual clue and narrative connection. LOONA&#x27;s music spans a remarkable range of styles — from Chuu&#x27;s bubbly &quot;Heart Attack&quot; to the cinematic grandeur of &quot;Butterfly&quot; to the girl-crush energy of &quot;PTT (Paint the Town).&quot; The group gained a uniquely devoted international fandom, Orbits, who turned LOONA into an internet phenomenon long before the group achieved mainstream domestic success. Despite significant company controversies and member departures, LOONA&#x27;s creative ambition and the quality of their discography have ensured their place in K-pop history as one of the most artistically inventive groups of their generation.

LOONA

LOONAからソロアーティストとしての進化まで。Yvesが自身の歩み、創作のアイデンティティ、そして成長の裏にある苦悩について、2026年の率直で飾らない会話の中で語る。

Yvesのセルフイメージ

THE BOYZ is an eleven-member boy group formed by Cre.Ker Entertainment (now an independent group), debuting in December 2017. The group gained significant attention for their performance abilities, particularly after their appearance on the Mnet competition show &quot;Road to Kingdom&quot; in 2020, where they won first place with theatrical, visually stunning stages that showcased their storytelling through dance. Their &quot;Road to Kingdom&quot; victory was a turning point, elevating THE BOYZ from a mid-tier group to one of the most respected performance-focused acts in K-pop. Songs like &quot;The Stealer,&quot; &quot;THRILL RIDE,&quot; and &quot;MAVERICK&quot; have highlighted their versatility. THE BOYZ&#x27;s fandom, THE B, has grown steadily, supporting the group through sold-out concerts and strong album sales. The group is widely regarded as having some of the best synchronized choreography and stage presence in the industry. On March 19, 2026, nine members of The Boyz filed for the termination of their exclusive contracts with One Hundred Label, citing issues including unpaid settlements and a breakdown of trust. The agency disputed the claims and rejected the termination, resulting in a legal dispute between the parties. As of April 23, 2026, the court ruled in favor of the nine members, granting the boys an injunction to end the validity of their contracts. The members who were involved are officially free from their ties with One Hundred Label, however the last member still remains as of right now. The group is currently continuing forward as an independent group, being one of the most successful of their peers to make such move.

THE BOYZ

THE BOYZとして約10年を過ごした後、KEVIN MOONはソロアーティストとして新たな章へ。デビュー作『FREECHILD』を携えて、その第一歩を踏み出す

KEVIN MOONインタビュー――檻の中の鳥が自由を手にするまで

K-popのプロモーションサイクルで最も重要な要素があるとすれば、それは音楽番組、ひいては音楽番組での1位だろう

音楽番組の「1位」って実際何？ そしてグループはどうやって獲得するの？

SM創業者Lee Soo-manが復帰したA2O Entertainmentが、2026年10月12日にボーイズグループとガールズグループを同時にデビューさせると発表した

Lee Soo-manのA2O Entertainment、ボーイズグループとガールズグループを同時デビューへ

MONSTA X is a boy group formed through the survival show No.Mercy who debuted under Starship Entertainment in May 2015. Shownu, Minhyuk, Kihyun, Hyungwon, Joohoney, and I.M make up the current lineup, with Wonho a former member, and the group has always been tied to a forceful performance image. Their sound runs muscular &mdash; EDM drops, hip-hop percussion, dark synths, and choruses built to carry heavy choreography. They became one of the most physically commanding performance groups of their generation across a run stretching from the breakthrough drive of "Dramarama" to the sharper drama of "Love Killa," while their vocal line and later English-language releases revealed a smoother R&amp;B and pop register that softened the edges without draining the intensity. They also mattered as a bridge between Korean idol promotion and Western touring: English-language singles, American media appearances, and a large international audience, all without blurring the group's identity. Their fandom, Monbebe, is known for staying loyal through lineup changes, enlistments, solo projects, and long stretches between full-group activity. Their legacy rests on consistency and stamina rather than reinvention. MONSTA X refined one recognizable image &mdash; power, charisma, and emotional loyalty &mdash; instead of rebuilding it every comeback. That became a template for later boy groups aiming to look tough onstage while cultivating a close, fan-centered identity off it.

MONSTA X

Monsta X、強気な先行公開曲「Do What I Want」でゴブリンに変身

ARTMS is a 5-member South Korean girl group under MODHAUS. The group consists of JinSoul, HaSeul, Kim Lip, HeeJin, and Choerry from the currently inactive girl group LOONA. They first rebooted the LOONA sub-unit ODD EYE CIRCLE on July 12, 2023. They debuted on May 31, 2024, with their first album, DALL.

ARTMS

ARTMS、11月に北米で「Grand Club Icarus」を開催へ

A2O MAYが「B.B.B.（Bigger, Badder, Better）」で戻ってきました

KATSEYE is a multinational girl group formed through the reality competition series Dream Academy, a collaboration between HYBE and Geffen Records. The group debuted in June 2024 with the single &quot;Debut&quot;. KATSEYE consists of six members from different countries: Daniela Avanzini, Lara Rajagopalan, Manon Bannerman, Megan Skiendiel, Sophia Laforteza, and Yoonchae Jeong. The group was created to combine Kpop training with a global pop approach, featuring members from North America, Europe, and Asia. The group first gained attention through the documentary series The Debut: Dream Academy (or Pop Star Academy: KATSEYE on Netflix), which followed the trainees&#x27; journey during the Dream Academy project and the process of forming the final lineup. KATSEYE&#x27;s music blends elements of pop, dance, and K-pop-influenced production while targeting a global audience with multilingual promotion and international activities.

KATSEYE

KATSEYEがJollibeeとの公式Merch Capsuleコラボを発表

TOMORROW X TOGETHER, usually shortened to TXT, is a five-member boy group under BIGHIT MUSIC &mdash; Soobin, Yeonjun, Beomgyu, Taehyun, and Huening Kai. They debuted in March 2019 with The Dream Chapter: Star, arriving as BigHit&rsquo;s first boy group after BTS and drawing immediate attention. Their early identity centered on youth, friendship, imagination, and the odd emotional weather of growing up. Rather than opening with a hard-edged performance image, they leaned into brightness, fantasy, and vulnerability on &ldquo;Crown,&rdquo; &ldquo;Run Away,&rdquo; and &ldquo;Blue Hour&rdquo; &mdash; a stance that set them apart within fourth-generation boy-group trends, largely because their storytelling treated adolescence as magical, confusing, and faintly unstable. As the catalog grew, they folded in sharper pop-rock, emo, and dance influences through &ldquo;0X1=LOVESONG,&rdquo; &ldquo;LO$ER=LOVER,&rdquo; &ldquo;Sugar Rush Ride,&rdquo; and &ldquo;Chasing That Feeling.&rdquo; The members&rsquo; strengths track that evolution closely: Soobin&rsquo;s steady leadership, Yeonjun&rsquo;s performance charisma, Beomgyu&rsquo;s color, Taehyun&rsquo;s vocal precision, and Huening Kai&rsquo;s bright tone let the group move between softness and intensity. Their fandom is MOA, short for Moments of Alwaysness. What makes TXT significant is how deliberately they built a coming-of-age identity across albums, videos, and stages. Instead of defining themselves by a single sound, they became a group about transition itself &mdash; childhood into adulthood, fantasy into reality, polished idol pop into something more emotionally restless.

TOMORROW X TOGETHER

「TXTのスビンがINTO YOUの新しいユースアンバサダーとしてビューティー界に登場」

Red Velvet is a five-member girl group formed by SM Entertainment, debuting in August 2014. The group -- Irene, Seulgi, Wendy, Joy, and Yeri (who joined in 2015) -- is built around a dual-concept identity: the bright, playful &quot;Red&quot; side and the darker, experimental &quot;Velvet&quot; side. This duality gave them enormous creative range and became their defining artistic trademark. The &quot;Red&quot; side gave the group some of K-pop&#x27;s most vivid pop singles, including &quot;Dumb Dumb,&quot; &quot;Russian Roulette,&quot; &quot;Red Flavor,&quot; and &quot;Power Up.&quot; The &quot;Velvet&quot; side leaned toward smoother R&amp;B, darker synth textures, and slower-burning drama on songs such as &quot;Automatic,&quot; &quot;Bad Boy,&quot; and &quot;Psycho.&quot; Instead of treating those modes as separate eras, Red Velvet made the contrast part of the brand: sweet could turn strange, elegant could become unsettling, and experimental choices could still land as pop. That range made Red Velvet especially important as an album group. Their title tracks often drew the most attention, but fans and critics also paid close attention to B-sides, vocal arrangements, and the way the members&#x27; tones fit together. Wendy&#x27;s vocal clarity, Seulgi&#x27;s performance edge, Joy&#x27;s color, Irene&#x27;s cool center, and Yeri&#x27;s later addition gave the group a layered sound that could handle both bright hooks and more atmospheric material. Red Velvet&#x27;s influence comes from their refusal to settle into one easy lane. They could be playful without feeling lightweight, polished without becoming predictable, and weird without losing the listener. Their fandom is known as ReVeluv, and the group&#x27;s place in K-pop rests on that balance: a major SM girl group with mainstream hits, deep-cut credibility, and a catalog that made adventurous pop feel normal.

Red Velvet

「WENDY、SM退社後の2025年ソロワールドツアーを発表」

「LIM KIMがユニバーサルミュージックコリアに参加し、次の章を再定義する準備を整える」

BLACKPINK is a four-member South Korean girl group under YG Entertainment &mdash; Jisoo, Jennie, Ros&eacute;, and Lisa &mdash; who debuted on August 8, 2016 with Square One and its double single "Boombayah" and "Whistle." As YG's first girl group since 2NE1, they were positioned not as a large idol ensemble but as four sharply drawn performers, each with her own vocal tone, visual identity, and role. The name itself encodes that duality: "black" for a hard, self-assured edge, "pink" for glamour and pop accessibility. Jennie and Lisa's clipped rap sections anchor the percussive center of most songs while Jisoo and Ros&eacute; supply melodic lift, a structure recognizable across producers, languages, and markets &mdash; from the sparse whistle hook of their debut to the heavy drops of "DDU-DU DDU-DU." Scarcity shaped their ascent as much as output did. They released comparatively few songs in their early years, which turned each comeback into an event rather than a routine promotional beat. The tradeoffs were real, but attention concentrated on a tight set of songs, videos, and stage moments: "Kill This Love," "How You Like That," "Pink Venom," and "Shut Down" became templates for a global-facing K-pop built on impact, visual clarity, and instantly repeatable hooks. Their reach came from more than charts &mdash; they linked the idol system to global pop, luxury fashion, digital fandom, and festival culture, becoming the first Korean girl group at Coachella in 2019 and the first K-pop act to headline it in 2023. Western collaborations, fashion-house partnerships, and an enormous social footprint carried them to audiences with no prior interest in Korean music. All four built substantial solo careers in music, acting, fashion, and brand work, making the group a clear case of group and solo identities reinforcing each other. After renewing with YG for group activities, their individual paths grew more independent while BLACKPINK continued as a shared brand and performing unit. Their real significance lies less in records broken than in normalizing a model where a K-pop girl group functions at once as an idol act, a global pop project, and four standalone celebrity careers. Their fandom is called BLINK.

BLACKPINK

「LISA、シネマティックショートフィルム『Dream』でソロビジョンを前進させる」

「ギャラクシーコーポレーションがロサンゼルスでグローバルなバーチャルK-POPグループオーディションを開催」

AtHeart is a seven-member girl group under Titan Content. The lineup consists of Arin, Michi, Katelyn, Bome, Seohyeon, Aurora, and Nahyun. The group introduced its members gradually from 2024 into 2025, released the pre-debut single Good Girl (AtHeart), and officially debuted on August 13, 2025 with Plot Twist. Their fandom is known as Heartbeat. AtHeart&#x27;s early identity centers on polished pop, individual member visibility, and a social-media-friendly rollout that lets each member show a distinct personality. After debut, the group expanded the Plot Twist era with Plot Twist (English ver.) and Plot Twist (Remixes), then continued with singles such as Shut Up and Butterfly Doors.

AtHeart

AtHeartがシネマティックなEP『Plot Twist』で大胆にデビュー

I.O.I is an 11-member project girl group under Swing Entertainment formed through Mnet&#x27;s survival show Produce 101. The group was managed by YMC Entertainment and CJ E&amp;M, and officially debuted on May 4, 2016 with the mini album Chrysalis and its title track Dream Girls. Their name stood for &quot;Ideal of Idol&quot;, reflecting the show&#x27;s premise of creating a &quot;national girl group&quot; chosen directly by viewers. The final lineup consisted of Nayoung, Chungha, Sejeong, Chaeyeon, Kyulkyung, Sohye, Yeonjung, Yoojung, Mina, Doyeon, and Somi. Because the members came from different agencies, I.O.I was always planned as a temporary group. During their short run, they promoted both as a full group and as a sub-unit, releasing songs like Whatta Man, Very Very Very, and Downpour. Despite being active for less than a year, I.O.I became one of the most influential project groups in K-pop. Their success helped prove the power of survival-show fandoms and paved the way for later Produce groups like Wanna One, IZ*ONE, and X1. After their disbandment in January 2017, many members continued in the industry as soloists, actors, or members of groups such as Weki Meki, gugudan, DIA, PRISTIN, Cosmic Girls, and JEON SOMI as a solo artist. In 2026, I.O.I reunited for a special 10th anniversary project, marking their first major group comeback in nearly a decade. The reunion featured nine members, with Mina and Kyulkyung not participating, and included the EP I.O.I : Loop, a pre-release track, and anniversary concerts in Seoul before additional Asia tour stops. Although I.O.I began as a temporary group, their legacy has lasted far beyond their original contract, making them one of K-pop&#x27;s defining examples of how a short-lived project group could leave a permanent mark.

I.O.I

JEON SOMI、‘Chaotic & Confused’を発表し、サウンドを新たな領域へ押し広げる

ENHYPEN is a boy group formed through the 2020 survival show I-LAND and managed by Belift Lab, currently made up of Jungwon, Jay, Jake, Sunghoon, Sunoo, and Ni-ki. They debuted in November 2020 with Border: Day One, arriving with a global audience already in place from the show and a concept organized around connection, transformation, and fate. Their early work used dark, dramatic imagery to pull away from brighter rookie formulas. "Given-Taken," "Drunk-Dazed," "Fever," and the later Dimension and Dark Blood eras leaned on supernatural metaphor, sharp choreography, and a push-pull between elegance and danger &mdash; which made them feel less like a survival-show byproduct than a group with an ongoing storyline. The member appeal is heavily performance-driven: Jungwon holds a steady center as leader, Jay and Jake bring international texture, Sunghoon's figure-skating background shapes his clean stage presence, Sunoo adds brightness and contrast, and Ni-ki anchors the dance line with rare precision for a maknae. Their fandom, ENGENE, grew fast because the group's identity rewarded close reading &mdash; music, lore, and member development all unfolding at once. As a fourth-generation act, ENHYPEN sit at the junction of survival-show fandom and global idol scale. They demonstrated that a group could debut with a transnational audience already watching, then hold it through consistent visual storytelling, polished performance, and songs that treated adolescence as mythic rather than ordinary.

新闻