KPOPWORLD #6 (Yves)

KPOPWORLD #6 (KEYVITUP X VAYONN)

KPOPWORLD #5

KPOPWORLD #4

Choi Yu Ree 谈论 Stay: Two——她的 Stay 系列的收官篇，透过她细腻的创作，探索脆弱、爱、恐惧，以及塑造日常生活的那些安静情绪。

Choi Yu Ree 依然忠于自我

LOONA (이달의 소녀, &quot;Girl of the Month&quot;) is a girl group formed by Blockberry Creative with one of the most ambitious pre-debut projects in K-pop history. From 2016 to 2018, each of the twelve members was individually introduced with her own solo single, music video, and lore before the full group debuted in August 2018. This elaborate rollout created an intricate &quot;LOONAVERSE&quot; mythology that captivated fans who dissected every visual clue and narrative connection. LOONA&#x27;s music spans a remarkable range of styles — from Chuu&#x27;s bubbly &quot;Heart Attack&quot; to the cinematic grandeur of &quot;Butterfly&quot; to the girl-crush energy of &quot;PTT (Paint the Town).&quot; The group gained a uniquely devoted international fandom, Orbits, who turned LOONA into an internet phenomenon long before the group achieved mainstream domestic success. Despite significant company controversies and member departures, LOONA&#x27;s creative ambition and the quality of their discography have ensured their place in K-pop history as one of the most artistically inventive groups of their generation.

LOONA

从 LOONA 到独立艺人的蜕变，Yves 在 2026 年一场坦诚、毫无保留的对话中，打开了关于自己的旅程、创作身份，以及成长背后挑战的话匣子

Yves 的自我形象

如果说 K-pop 宣传周期里有哪个环节最不可或缺，那一定是音乐节目，进而也包括音乐节目一胜

音乐节目一胜到底是什么——又是怎样拿到的？

由 SM 创始人 Lee Soo-man 回归领军的 A2O Entertainment 已宣布将于 2026 年 10 月 12 日同步推出男团与女团。

Lee Soo-man 的 A2O Entertainment 将同步出道男团与女团

BLACKPINK is a four-member South Korean girl group under YG Entertainment &mdash; Jisoo, Jennie, Ros&eacute;, and Lisa &mdash; who debuted on August 8, 2016 with Square One and its double single "Boombayah" and "Whistle." As YG's first girl group since 2NE1, they were positioned not as a large idol ensemble but as four sharply drawn performers, each with her own vocal tone, visual identity, and role. The name itself encodes that duality: "black" for a hard, self-assured edge, "pink" for glamour and pop accessibility. Jennie and Lisa's clipped rap sections anchor the percussive center of most songs while Jisoo and Ros&eacute; supply melodic lift, a structure recognizable across producers, languages, and markets &mdash; from the sparse whistle hook of their debut to the heavy drops of "DDU-DU DDU-DU." Scarcity shaped their ascent as much as output did. They released comparatively few songs in their early years, which turned each comeback into an event rather than a routine promotional beat. The tradeoffs were real, but attention concentrated on a tight set of songs, videos, and stage moments: "Kill This Love," "How You Like That," "Pink Venom," and "Shut Down" became templates for a global-facing K-pop built on impact, visual clarity, and instantly repeatable hooks. Their reach came from more than charts &mdash; they linked the idol system to global pop, luxury fashion, digital fandom, and festival culture, becoming the first Korean girl group at Coachella in 2019 and the first K-pop act to headline it in 2023. Western collaborations, fashion-house partnerships, and an enormous social footprint carried them to audiences with no prior interest in Korean music. All four built substantial solo careers in music, acting, fashion, and brand work, making the group a clear case of group and solo identities reinforcing each other. After renewing with YG for group activities, their individual paths grew more independent while BLACKPINK continued as a shared brand and performing unit. Their real significance lies less in records broken than in normalizing a model where a K-pop girl group functions at once as an idol act, a global pop project, and four standalone celebrity careers. Their fandom is called BLINK.

BLACKPINK

BLACKPINK 的 JISOO 正将她的个人宇宙带入街头风格，推出 “JISOO CLICK by Off-White”—— 一个受她最新单曲 “CLICK” 启发的限量版 2026 秋冬胶囊系列。

JISOO 携全新 Off-White 合作系列实现 “CLICK”

新人的第一年很残酷。这并不新鲜，但如今边界似乎更窄了。第五代进入了一个注意力分散、业界对“准备度”标准提高而粉丝耐心缩短的生态。新的K-pop名字尚未登台，期待就已拉高。

早起的火花，大有可为：点亮2026的新晋团体

时尚与K-pop历来有交集，但到了2025年，这段关系已经无法再被当作偶发——它现在具有结构性意义

定义2025年K-pop的时尚时刻

有些年份的 K-pop 走得很直。2025 年可不属于那类。那一年行业急转弯得如此剧烈，连资深粉丝也不能假装早有预见。

2025 年最大的 K-pop 惊喜

K-pop 喜欢独唱时刻，但并非总是喜爱个人事业。这是贯穿 2025 年的一条隐秘真相：在这个行业里独自走远，比人们承认的要难得多。

统治2025年的独唱艺人

理论上，迷你专辑应该是最容易把握的格式。四到六首歌，不用构建完整的世界观，有足够的空间去试验一个想法而不会把它耗尽。

小事之美：2025年那些直击人心的迷你专辑

试图预测 2026 年的 K-pop 会是什么样子，有点像在描绘一个移动的靶子。没有什么能静止太久。但这种情况可能会在明年改变。或者至少，各种因素正在排列到一种让人觉得这有可能的状态。

K-pop 在自身节奏下重返全球话语场的一年

虽然 K-pop 主导了对外输出的叙事，韩国的音乐生态远比大多数听众停留的那些路线更广阔、更奇特，也更值得探索。

2025 年必听的非 K-Pop 韩国音乐

十年前，K-pop 巡演的概念非常不同。一次世界巡演通常意味着几个亚洲场馆，运气好的话有一站美国行，也许——如果诸事顺利——还能在欧洲某个并非为流行音乐建造的场地举行一晚演出

定义2025年的K-pop巡演

视觉之年 2025：年度最引人注目的概念美学

每年都有声音说 K-pop 的视频已经无法再变得更大或更奇怪，但每年导演们都会证明这些声音是错的。2025 年并不像是一种单一潮流，更像是许多门同时被推开。

2025 年必看的 K-Pop 视觉作品

每一年 K-pop 都很热闹，但 2025 年有一种不同节奏的动力——不是单一的爆发时刻，而是一连串悄然推动行业进入新领域的转变

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