KPOPWORLD #6 (Yves)

KPOPWORLD #6 (KEYVITUP X VAYONN)

KPOPWORLD #5

KPOPWORLD #4

82Major (stylized in all caps) is a South Korean boy band formed by Great M Entertainment. The group consists of six members: Cho Seong-il, Yoon Ye-chan, Nam Seong-mo, Hwang Seong-bin, Park Seok-joon and Kim Do-gyun. The group&#x27;s name is a combination of South Korea&#x27;s calling code (+82) and the word ‘major’, expressing their desire to become a group that represents Korea. They debuted on October 11, 2023, with the single album On.

82MAJOR

82MAJOR have their first music show win — and SEONG MO, who spent over a year presenting trophies on Show Champion as an MC, finally got to receive one

82MAJOR on HEAT, Their First Win, and What Comes Next

BIGHIT MUSIC just opened its 2026 Global Audition, and the door is wide open. Any male born in 2008 or later can apply, from anywhere, with zero restrictions on category – singing, dancing, producing, whatever shows your talent best

BIGHIT MUSIC Opens 2026 Global Audition for Male Talent

ZEROBASEONE, commonly known as ZB1, is a five-member boy group formed through the Mnet survival show &quot;Boys Planet&quot; in 2023. They originally debuted as a nine-member group — along with AND2BLE&#x27;s members Zhang Hao, Ricky, Kim Gyuvin and Han Yujin — under WAKEONE Entertainment, with &quot;In Bloom&quot; setting first-week sales records that demonstrated the massive anticipation built through the survival show. As a project group with a limited contract period, ZB1 operates with an urgency to make every comeback count, and they have delivered with consistent chart-topping releases and sold-out concerts. The group&#x27;s strength lies in their strong individual star power combined with impressive group synergy, cultivated through the intense bonding of their competition experience. Their fandom, ZEROSE, mobilized quickly into one of the most organized fan bases in fourth-generation K-pop. ZB1 represents the continued power of the survival show format to create commercially dominant groups with built-in passionate audiences. On March 15, 2026, they held their last concert as a nine-member boy group, sparking sadness among fans, who had grown fond of the relationship that had developed between the nine boys. As YH Entertainment did not renew the contracts of Zhang Hao, Ricky, Kim Gyuvin, and Han Yujin with WAKEONE, ZB1 are now promoting their career as a five-member boy group, with Sung Hanbin, Kim Jiwoong, Seok Matthew, Kim Taerae, and Park Gunwook.

ZEROBASEONE

Seok Matthew and Park Gunwook, members of WakeOne’s ZEROBASEONE, have announced the September 21 release of their long awaited sub-unit project under the duo name ‘EMP’

ZEROBASEONE’s Seok Matthew and Park Gunwook Announce Mixtape Under Sub-unit ‘EMP’

Rookie groups have taken over this week’s latest K-pop releases with songs that are intense, dramatic, soft, and lighthearted

Comeback Corner: IU, YOUNGTAK, NAZE & MORE

TOMORROW X TOGETHER, often shortened to TXT, is a five-member boy group under BIGHIT MUSIC. The group consists of Soobin, Yeonjun, Beomgyu, Taehyun, and Huening Kai. They debuted in March 2019 with The Dream Chapter: Star, becoming BigHit&#x27;s first boy group after BTS and immediately attracting heavy attention. TXT&#x27;s early identity centered on youth, friendship, imagination, and the strange emotional weather of growing up. Instead of debuting with a hard-edged performance image, they leaned into brightness, fantasy, and vulnerability on songs such as &quot;Crown,&quot; &quot;Run Away,&quot; and &quot;Blue Hour.&quot; That made the group feel distinct within fourth-generation boy-group trends, especially because their storytelling often treated adolescence as magical, confusing, and a little unstable. As their catalog developed, TXT added sharper pop-rock, emo, and dance influences through songs like &quot;0X1=LOVESONG,&quot; &quot;LO$ER=LOVER,&quot; &quot;Sugar Rush Ride,&quot; and &quot;Chasing That Feeling.&quot; The members&#x27; strengths map cleanly onto that evolution: Soobin&#x27;s calm leadership, Yeonjun&#x27;s performance charisma, Beomgyu&#x27;s color, Taehyun&#x27;s vocal focus, and Huening Kai&#x27;s bright tone all help the group move between softness and intensity. TXT&#x27;s fandom is known as MOA, short for Moments of Alwaysness. The group&#x27;s significance is tied to how carefully they built a coming-of-age identity across albums, videos, and performances. Rather than defining themselves through a single sound, TXT became a group about transition itself: childhood into adulthood, fantasy into reality, and polished idol pop into something more emotionally restless.

TOMORROW X TOGETHER

When Dolce &amp; Gabbana named SOOBIN its newest ambassador, they led with skincare. Alongside the expected fashion portraits, his debut imagery puts glass skin and product front and center. It's not a random choice

SOOBIN, Dolce & Gabbana and the Growing Power of Male K-Beauty

Over August 14 and 15, ATEEZ, Kwon Eunbi, MONSTA X and Sunmi took to the stage at Turkey’s annual Istanbul Festivali. Both dates were entirely dedicated to K-pop

Istanbul Festivali 2026, Turkey The Rise of K-Pop in Europe

The first KPOPWORLD Festival &amp; Worldwide Dance Competition lands at San Antonio's Alamodome from 28–31 October, and the choice of city is doing as much talking as the eleven-act lineup

KPOPWORLD Festival's San Antonio Bet: What an Alamodome Weekend Says About K-Pop's US Expansion

K-pop's trainee system is widely considered the most extensive and intense artist development model in the music industry – and it didn't start with K-pop

The Trainee System, Explained: How K-pop Stars Are Made

While major K-pop companies like the Big 4 are still considered the leading agencies in South Korea’s idol industry, other mid-tier labels have steadily risen as contenders and real players in influencing music and idol culture

Beyond the Big 4: How K-pop’s Mid-Tier Labels Are Winning the Long Game 

&nbsp;This week’s Last Week In K-pop, Interpreted asks: what does it cost to keep up? V and Jungkook face physical strain, Gunil’s exit exposes label disconnects, BIGBANG proves comebacks don’t need the full group, and NCT 127 returns to the U.S. after four years.&nbsp;

Last Week In K-pop, Interpreted (August 10 - August 14, 2026)

KATSEYE is a multinational girl group formed through the reality competition series Dream Academy, a collaboration between HYBE and Geffen Records. The group debuted in June 2024 with the single &quot;Debut&quot;. KATSEYE consists of six members from different countries: Daniela Avanzini, Lara Rajagopalan, Manon Bannerman, Megan Skiendiel, Sophia Laforteza, and Yoonchae Jeong. The group was created to combine Kpop training with a global pop approach, featuring members from North America, Europe, and Asia. The group first gained attention through the documentary series The Debut: Dream Academy (or Pop Star Academy: KATSEYE on Netflix), which followed the trainees&#x27; journey during the Dream Academy project and the process of forming the final lineup. KATSEYE&#x27;s music blends elements of pop, dance, and K-pop-influenced production while targeting a global audience with multilingual promotion and international activities.

KATSEYE

Two KATSEYE members have stepped back from group activities within six months of each other – first Manon, now Sophia – just as the group's first documentary, third EP, and debut world tour all land within weeks of one another

What Both KATSEYE Members’ Hiatuses Say About The Group’s Current Condition

K-pop fandom has never just been about consumption. Fans have spent decades archiving, translating, and sharing content, driven by both accessibility and the instinct to protect moments that might otherwise disappear from an artist's history entirely

K-Pop Fans Are Not Just the Audience - They're the Archive

BLACKPINK is a four-member South Korean girl group formed by YG Entertainment, consisting of Jisoo, Jennie, Rosé, and Lisa. They debuted on August 8, 2016 with Square One, led by &quot;Boombayah&quot; and &quot;Whistle,&quot; and arrived as YG&#x27;s first new girl group after 2NE1. From the beginning, the group was presented less as a large idol ensemble and more as four sharply individualized performers, each with a distinct vocal tone, visual identity, and public role. The group&#x27;s name captures the tension that became central to their image: &quot;black&quot; for a harder, more self-assured edge and &quot;pink&quot; for glamour, playfulness, and pop accessibility. Their music often builds around that contrast. Jennie and Lisa&#x27;s rap sections give many songs a clipped, percussive center, while Jisoo and Rosé&#x27;s vocals provide melodic lift and emotional color. This structure made BLACKPINK songs easy to recognize even across different producers, languages, and markets; the group could move from the spare whistle hook of their debut to the maximal drops of &quot;DDU-DU DDU-DU&quot; and still feel like the same act. BLACKPINK&#x27;s rise was also shaped by scarcity. Compared with many idol groups, they released relatively few songs in their first several years, which made each comeback feel closer to an event than a routine promotional cycle. That strategy had tradeoffs, but it concentrated public attention on a small set of songs, videos, styling choices, and stage moments. Tracks such as Kill This Love, How You Like That, Pink Venom, and Shut Down became reference points for a global-facing K-pop style built around impact, visual clarity, and immediately repeatable hooks. Their international growth came from more than chart performance. BLACKPINK connected K-pop&#x27;s idol system with the language of global pop, luxury fashion, digital fandom, and festival stages. They were the first Korean girl group to perform at Coachella in 2019 and returned in 2023 as the first K-pop act to headline the festival. Collaborations with Western pop artists, major fashion-house relationships, and an unusually large YouTube and social-media footprint helped make the members visible to audiences who did not necessarily follow Korean music closely. As individual artists, all four members developed major careers in music, acting, fashion, and brand work, making BLACKPINK one of the clearest examples of a modern K-pop group whose group identity and solo identities reinforce each other. After renewing with YG for group activities, the members&#x27; individual paths became more independent while BLACKPINK remained active as a shared brand and performance unit. Their significance is not only that they broke records, but that they helped normalize a model where a K-pop girl group could operate simultaneously as an idol act, a global pop project, and a set of four standalone celebrity careers. The fandom is known as BLINK.

BLACKPINK

Ten years ago, BLACKPINK debuted in chokers, fishnets, and enough distressed denim to define a decade

BLACKPINK’s Fashion Blueprint, 10 Years On

Influencers are invited to K-pop concerts and events all the time in exchange for content and press – but when does that access start to come at the expense of the fans who paid to be there?

What Happens When Influencer Culture Impedes On Fandom Concert Experience?

Two stories examine valid criticisms of K-pop companies: influencer culture at Stray Kids’ concerts and the lack of sentiment behind BLACKPINK’s 10th anniversary. The third explores THE BOYZ’s bittersweet contract renewals and what they could mean for the group’s future&nbsp;

Last Week In K-pop, Interpreted (August 3 - August 7, 2026)

dodree is the first Subunit of the girl group DDDD 25. The unit is composed of members Na Yeongjoo and Lee Songhyun. They debuted on January 21, 2026, with the single album &quot;Just Like A Dream&quot;.

dodree

dodree calls their sound "K-rossover Pop" – pansori vocals, gayageum riffs, and dance moves pulled from traditional Korean line-drawing movement, subverted within their growing catalog by utilising modern elements like trap beats and dreamy synths

dodree: The Mysterious Duo Under JYP

Consent became K-pop's defining theme last week, spanning BTS' Grammys protest, Waterbomb Festival debates, and artists like DAY6's Young K forging closer ties with the general public&nbsp;

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