KPOPWORLD #6 (Yves)

KPOPWORLD #6 (KEYVITUP X VAYONN)

KPOPWORLD #5

KPOPWORLD #4

Choi Yu Ree는 Stay 시리즈의 마지막 장인 Stay: Two를 통해, 섬세한 송라이팅으로 일상 속에서 형태를 만들어가는 취약함, 사랑, 두려움, 그리고 조용한 감정들을 이야기한다.

Choi Yu Ree는 자신을 있는 그대로 지키고 있다

LOONA (이달의 소녀, &quot;Girl of the Month&quot;) is a girl group formed by Blockberry Creative with one of the most ambitious pre-debut projects in K-pop history. From 2016 to 2018, each of the twelve members was individually introduced with her own solo single, music video, and lore before the full group debuted in August 2018. This elaborate rollout created an intricate &quot;LOONAVERSE&quot; mythology that captivated fans who dissected every visual clue and narrative connection. LOONA&#x27;s music spans a remarkable range of styles — from Chuu&#x27;s bubbly &quot;Heart Attack&quot; to the cinematic grandeur of &quot;Butterfly&quot; to the girl-crush energy of &quot;PTT (Paint the Town).&quot; The group gained a uniquely devoted international fandom, Orbits, who turned LOONA into an internet phenomenon long before the group achieved mainstream domestic success. Despite significant company controversies and member departures, LOONA&#x27;s creative ambition and the quality of their discography have ensured their place in K-pop history as one of the most artistically inventive groups of their generation.

LOONA

LOONA에서 솔로 아티스트로의 진화까지, Yves는 2026년 솔직하고 날것 그대로의 대화 속에서 자신의 여정, 창작 정체성, 그리고 성장 뒤에 숨은 어려움에 대해 털어놓는다

Yves의 자아 이미지

THE BOYZ is an eleven-member boy group formed by Cre.Ker Entertainment (now an independent group), debuting in December 2017. The group gained significant attention for their performance abilities, particularly after their appearance on the Mnet competition show &quot;Road to Kingdom&quot; in 2020, where they won first place with theatrical, visually stunning stages that showcased their storytelling through dance. Their &quot;Road to Kingdom&quot; victory was a turning point, elevating THE BOYZ from a mid-tier group to one of the most respected performance-focused acts in K-pop. Songs like &quot;The Stealer,&quot; &quot;THRILL RIDE,&quot; and &quot;MAVERICK&quot; have highlighted their versatility. THE BOYZ&#x27;s fandom, THE B, has grown steadily, supporting the group through sold-out concerts and strong album sales. The group is widely regarded as having some of the best synchronized choreography and stage presence in the industry. On March 19, 2026, nine members of The Boyz filed for the termination of their exclusive contracts with One Hundred Label, citing issues including unpaid settlements and a breakdown of trust. The agency disputed the claims and rejected the termination, resulting in a legal dispute between the parties. As of April 23, 2026, the court ruled in favor of the nine members, granting the boys an injunction to end the validity of their contracts. The members who were involved are officially free from their ties with One Hundred Label, however the last member still remains as of right now. The group is currently continuing forward as an independent group, being one of the most successful of their peers to make such move.

THE BOYZ

THE BOYZ와 함께한 거의 10년에 가까운 시간 끝에, KEVIN MOON은 데뷔 프로젝트 FREECHILD로 솔로 아티스트로서 새로운 챕터를 열고 있다

KEVIN MOON 인터뷰 – 새장 속 새, 비로소 날아오르다

K-pop 프로모션 사이클에서 가장 핵심적인 요소가 하나 있다면, 바로 음악방송이고, 그에 따른 음악방송 1위다

음악방송 1위란 정확히 무엇일까 – 그리고 그룹들은 어떻게 1위를 차지할까?

“Only thing”을 통해 JISUNG은 솔로 아티스트로서 새로운 챕터를 연다. 사라질 듯 위태로운 관계의 불확실함을 안개 낀 듯한, 서서히 타오르는 록 발라드로 풀어냈다

JISUNG, 솔로 데뷔곡 “Only thing”으로 전하는 감정의 취약함과 자신만의 색깔 찾기

ENHYPEN is a boy group formed through the 2020 survival show I-LAND and managed by Belift Lab, currently made up of Jungwon, Jay, Jake, Sunghoon, Sunoo, and Ni-ki. They debuted in November 2020 with Border: Day One, arriving with a global audience already in place from the show and a concept organized around connection, transformation, and fate. Their early work used dark, dramatic imagery to pull away from brighter rookie formulas. "Given-Taken," "Drunk-Dazed," "Fever," and the later Dimension and Dark Blood eras leaned on supernatural metaphor, sharp choreography, and a push-pull between elegance and danger &mdash; which made them feel less like a survival-show byproduct than a group with an ongoing storyline. The member appeal is heavily performance-driven: Jungwon holds a steady center as leader, Jay and Jake bring international texture, Sunghoon's figure-skating background shapes his clean stage presence, Sunoo adds brightness and contrast, and Ni-ki anchors the dance line with rare precision for a maknae. Their fandom, ENGENE, grew fast because the group's identity rewarded close reading &mdash; music, lore, and member development all unfolding at once. As a fourth-generation act, ENHYPEN sit at the junction of survival-show fandom and global idol scale. They demonstrated that a group could debut with a transnational audience already watching, then hold it through consistent visual storytelling, polished performance, and songs that treated adolescence as mythic rather than ordinary.

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KPOPWORLD #6 (Yves)

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