KPOPWORLD #6 (Yves)

KPOPWORLD #6 (KEYVITUP X VAYONN)

KPOPWORLD #5

KPOPWORLD #4

Choi Yu Ree discusses Stay: Two, the closing chapter of her Stay series, exploring vulnerability, love, fear, and the quiet emotions that shape everyday life through her intimate songwriting.

Choi Yu Ree Is Staying True to Herself

LOONA (이달의 소녀, &quot;Girl of the Month&quot;) is a girl group formed by Blockberry Creative with one of the most ambitious pre-debut projects in K-pop history. From 2016 to 2018, each of the twelve members was individually introduced with her own solo single, music video, and lore before the full group debuted in August 2018. This elaborate rollout created an intricate &quot;LOONAVERSE&quot; mythology that captivated fans who dissected every visual clue and narrative connection. LOONA&#x27;s music spans a remarkable range of styles — from Chuu&#x27;s bubbly &quot;Heart Attack&quot; to the cinematic grandeur of &quot;Butterfly&quot; to the girl-crush energy of &quot;PTT (Paint the Town).&quot; The group gained a uniquely devoted international fandom, Orbits, who turned LOONA into an internet phenomenon long before the group achieved mainstream domestic success. Despite significant company controversies and member departures, LOONA&#x27;s creative ambition and the quality of their discography have ensured their place in K-pop history as one of the most artistically inventive groups of their generation.

LOONA

From LOONA to her evolution as a solo artist, Yves opens up about her journey, creative identity, and the challenges behind her growth in an honest, unfiltered conversation in 2026

The Self-Image of Yves

THE BOYZ is an eleven-member boy group formed by Cre.Ker Entertainment (now an independent group), debuting in December 2017. The group gained significant attention for their performance abilities, particularly after their appearance on the Mnet competition show &quot;Road to Kingdom&quot; in 2020, where they won first place with theatrical, visually stunning stages that showcased their storytelling through dance. Their &quot;Road to Kingdom&quot; victory was a turning point, elevating THE BOYZ from a mid-tier group to one of the most respected performance-focused acts in K-pop. Songs like &quot;The Stealer,&quot; &quot;THRILL RIDE,&quot; and &quot;MAVERICK&quot; have highlighted their versatility. THE BOYZ&#x27;s fandom, THE B, has grown steadily, supporting the group through sold-out concerts and strong album sales. The group is widely regarded as having some of the best synchronized choreography and stage presence in the industry. On March 19, 2026, nine members of The Boyz filed for the termination of their exclusive contracts with One Hundred Label, citing issues including unpaid settlements and a breakdown of trust. The agency disputed the claims and rejected the termination, resulting in a legal dispute between the parties. As of April 23, 2026, the court ruled in favor of the nine members, granting the boys an injunction to end the validity of their contracts. The members who were involved are officially free from their ties with One Hundred Label, however the last member still remains as of right now. The group is currently continuing forward as an independent group, being one of the most successful of their peers to make such move.

THE BOYZ

After nearly a decade with THE BOYZ, KEVIN MOON is stepping into a new chapter as a solo artist with his debut project, FREECHILD

An Interview with KEVIN MOON – A Caged Bird Set Free

If there’s one aspect of the K-pop promotional cycle that’s considered the most integral, it’s music shows and, consequently, music show wins

What Actually Is a Music Show Win – and How Do Groups Get Them?

With “Only thing”, JISUNG opens a new chapter as a solo artist, turning the uncertainty of a relationship on the verge of slipping away into a hazy, slow-burning rock ballad

JISUNG Talks Solo Debut, Emotional Vulnerability, and Finding His Sound on “Only thing”

Concept Photo Round Up: BTS’ Jin, Red Velvet’s Irene and Seulgi, SHINee and more

9 Times K-pop Confronted Identity, Power, and Politics

The SM Legacy Series: TVXQ’s ‘Mirotic’ and the Art of Mainstream Provocation

Anwaya Mane talks us through her favourite B-Side of the week.

News

Concept Photo Round Up: BTS’ Jin, Red Velvet’s Irene and Seulgi, SHINee and more

9 Times K-pop Confronted Identity, Power, and Politics

The SM Legacy Series: TVXQ’s ‘Mirotic’ and the Art of Mainstream Provocation

Deep Cut of the Week: Baekhyun – “Love Comes Back”

Comeback Corner: Fresh Directions and New Moves from RIIZE, i-dle, Baekhyun, and More

When Global Success Meets Cultural Responsibility: K-pop’s Ongoing Challenge

ICYMI: The KPOPWORLD Weekly Briefing – May 19–23, 2025

This Week in K-pop Stages: P1Harmony, tripleS, MEOVV & BOYNEXTDOOR Shine

SM Entertainment Expands KWANGYA Forest in Seoul, Signalling a Deeper Green Commitment

WONHO Announces 2025 World Tour Dates in Latin America

Fashion Statement: MINGYU Isn’t Just Modelling for Calvin Klein — He’s Redefining the Frame

The Digital Number Ones: 2AM - "죽어도 못 보내 (Can't Let You Go, Even if I Die)"

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KPOPWORLD #6 (Yves)

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