KPOPWORLD #6 (Yves)

KPOPWORLD #6 (KEYVITUP X VAYONN)

KPOPWORLD #5

KPOPWORLD #4

Choi Yu Ree discusses Stay: Two, the closing chapter of her Stay series, exploring vulnerability, love, fear, and the quiet emotions that shape everyday life through her intimate songwriting.

Choi Yu Ree Is Staying True to Herself

LOONA (이달의 소녀, &quot;Girl of the Month&quot;) is a girl group formed by Blockberry Creative with one of the most ambitious pre-debut projects in K-pop history. From 2016 to 2018, each of the twelve members was individually introduced with her own solo single, music video, and lore before the full group debuted in August 2018. This elaborate rollout created an intricate &quot;LOONAVERSE&quot; mythology that captivated fans who dissected every visual clue and narrative connection. LOONA&#x27;s music spans a remarkable range of styles — from Chuu&#x27;s bubbly &quot;Heart Attack&quot; to the cinematic grandeur of &quot;Butterfly&quot; to the girl-crush energy of &quot;PTT (Paint the Town).&quot; The group gained a uniquely devoted international fandom, Orbits, who turned LOONA into an internet phenomenon long before the group achieved mainstream domestic success. Despite significant company controversies and member departures, LOONA&#x27;s creative ambition and the quality of their discography have ensured their place in K-pop history as one of the most artistically inventive groups of their generation.

LOONA

From LOONA to her evolution as a solo artist, Yves opens up about her journey, creative identity, and the challenges behind her growth in an honest, unfiltered conversation in 2026

The Self-Image of Yves

THE BOYZ is an eleven-member boy group formed by Cre.Ker Entertainment (now an independent group), debuting in December 2017. The group gained significant attention for their performance abilities, particularly after their appearance on the Mnet competition show &quot;Road to Kingdom&quot; in 2020, where they won first place with theatrical, visually stunning stages that showcased their storytelling through dance. Their &quot;Road to Kingdom&quot; victory was a turning point, elevating THE BOYZ from a mid-tier group to one of the most respected performance-focused acts in K-pop. Songs like &quot;The Stealer,&quot; &quot;THRILL RIDE,&quot; and &quot;MAVERICK&quot; have highlighted their versatility. THE BOYZ&#x27;s fandom, THE B, has grown steadily, supporting the group through sold-out concerts and strong album sales. The group is widely regarded as having some of the best synchronized choreography and stage presence in the industry. On March 19, 2026, nine members of The Boyz filed for the termination of their exclusive contracts with One Hundred Label, citing issues including unpaid settlements and a breakdown of trust. The agency disputed the claims and rejected the termination, resulting in a legal dispute between the parties. As of April 23, 2026, the court ruled in favor of the nine members, granting the boys an injunction to end the validity of their contracts. The members who were involved are officially free from their ties with One Hundred Label, however the last member still remains as of right now. The group is currently continuing forward as an independent group, being one of the most successful of their peers to make such move.

THE BOYZ

After nearly a decade with THE BOYZ, KEVIN MOON is stepping into a new chapter as a solo artist with his debut project, FREECHILD

An Interview with KEVIN MOON – A Caged Bird Set Free

If there’s one aspect of the K-pop promotional cycle that’s considered the most integral, it’s music shows and, consequently, music show wins

What Actually Is a Music Show Win – and How Do Groups Get Them?

BLACKPINK is a four-member South Korean girl group under YG Entertainment &mdash; Jisoo, Jennie, Ros&eacute;, and Lisa &mdash; who debuted on August 8, 2016 with Square One and its double single "Boombayah" and "Whistle." As YG's first girl group since 2NE1, they were positioned not as a large idol ensemble but as four sharply drawn performers, each with her own vocal tone, visual identity, and role. The name itself encodes that duality: "black" for a hard, self-assured edge, "pink" for glamour and pop accessibility. Jennie and Lisa's clipped rap sections anchor the percussive center of most songs while Jisoo and Ros&eacute; supply melodic lift, a structure recognizable across producers, languages, and markets &mdash; from the sparse whistle hook of their debut to the heavy drops of "DDU-DU DDU-DU." Scarcity shaped their ascent as much as output did. They released comparatively few songs in their early years, which turned each comeback into an event rather than a routine promotional beat. The tradeoffs were real, but attention concentrated on a tight set of songs, videos, and stage moments: "Kill This Love," "How You Like That," "Pink Venom," and "Shut Down" became templates for a global-facing K-pop built on impact, visual clarity, and instantly repeatable hooks. Their reach came from more than charts &mdash; they linked the idol system to global pop, luxury fashion, digital fandom, and festival culture, becoming the first Korean girl group at Coachella in 2019 and the first K-pop act to headline it in 2023. Western collaborations, fashion-house partnerships, and an enormous social footprint carried them to audiences with no prior interest in Korean music. All four built substantial solo careers in music, acting, fashion, and brand work, making the group a clear case of group and solo identities reinforcing each other. After renewing with YG for group activities, their individual paths grew more independent while BLACKPINK continued as a shared brand and performing unit. Their real significance lies less in records broken than in normalizing a model where a K-pop girl group functions at once as an idol act, a global pop project, and four standalone celebrity careers. Their fandom is called BLINK.

BLACKPINK

BLACKPINK’s JISOO is bringing her solo universe into streetwear with “JISOO CLICK by Off-White,” a limited-edition Fall/Winter 2026 capsule inspired by her single “CLICK”

JISOO Makes It “CLICK” With New Off-White Collaboration

For many of us, BoA wasn’t just an artist we followed. She was a constant

BoA’s Departure from SM: When the Constant Finally Changes

People keep asking if K-pop is dying. The real issue is using the wrong metrics to judge it.&nbsp;

Op-Ed

BoA’s Departure from SM: When the Constant Finally Changes

Is K-pop Dying – or Have We Just Misread What It’s Becoming?

Opinion: Lim Youngwoong’s No-CD Move Is Bold — But Is It the Future of K-pop?

When Global Success Meets Cultural Responsibility: K-pop’s Ongoing Challenge

Trending Now

Latest Issue

KPOPWORLD #6 (Yves)

Cart