Comeback Corner

YESUNG, ONEW, HWANG MIN HYUN & MORE

Read on for our picks of the week.

By Chyenne Tatum

This week’s K-pop releases offer illustrious sounds across the musical spectrum, from rock-influenced anthems from Super Junior’s YESUNG and boy KickFlip to smooth, mid-tempo pop from HWANG MIN HYUN. Comparatively, SHINee’s ONEW and BLOCK B’s ZICO become a surprising dynamic duo with their latest R&B and hip-hop track, while i-dle’s YUQI provides ample liveliness with her dance-house B-side.


YESUNG - “Pedazos”

After releasing the pre-release track, “Winds of Time,” for his second full-length Korean album, Where We Are, Super Junior member YESUNG has officially dropped its lead single, “Pedazos.” The title is Spanish for “pieces” or “broken pieces,” which perfectly sums up the song’s thematic and sonic atmosphere of loneliness. Musically, “Pedazos” is a powerful modern-rock ballad, featuring atmospheric, hazy vocal filters transitioning into a grit-infused, throwback full-band arrangement.

With its lyrics exploring the empty, shattered, and lingering emotions of a difficult breakup, the track slowly builds from its hazy ambiance, until YESUNG and his band lets loose in the bridge and final chorus. Throughout the third act of “Pedazos,” we see the Spanish title isn’t just for show, with YESUNG singing in the Romance language for the final duration of the song. Since Super Junior’s 2014 hit, “Mamacita,” and its Latin-pop era of 2017-2018, the group has always had an affinity for the Spanish language, so its inclusion in YESUNG’s latest project is anything but a coincidence.

ONEW - “Tic Tac Toe (feat. ZICO)”

Gearing up for the release of his first single album, 착각] (Illusion), SHINee’s ONEW has dropped an unexpected collaboration with Korean hip-hop artist and BLOCK B member ZICO. On the surface, one might wonder what musical styles the two would have in common, especially since ONEW was always considered the “ballad king” of SHINee and even debuted with a ballad-heavy solo album in 2018. However, since leaving SM Entertainment in 2024, the singer has been challenging himself to experiment outside of his comfort zone and try different styles — that’s where “Tic Tac Toe” comes in.

Described as a R&B/hip-hop and trap song built on an 808 sound and bouncy rhythm, “Tic Tac Toe” sees ONEW play around with more “trendy” sounds without veering too far from his own musical identity. While he has released R&B-influenced tracks before, bringing in ZICO’s hip-hop and trap expertise into the mix is a breath of fresh air for ONEW’s discography and brings out a more youthful energy out of him. Lyrically, “Tic Tac Toe” is a metaphor for the ambiguous “more than friends, less than lovers” stage of a relationship, with both artists revealing how utterly addicted they are to the “hugs and kisses” of this cat and mouse game.

HWANG MIN HYUN - “OUR”

Following his previous release eight months ago with “Truth,” soloist HWANG MIN HYUN has returned with his latest digital single, “OUR.” Sonically, the track is a warm, mid-tempo pop song featuring a minimalist composition centered around guitar. Through his label, Pledis Entertainment, MIN HYUN stated that the lyrics delve into the warm emotion that even if many things change, the relationship we share will remain unchanged. Its dreamy production and playful synth motif supports this sentiment, providing an intentional coziness when paired with MIN HYUN’s feather-like timbre.

What’s even more interesting about “OUR” is its bridge, which strips the production down to its simplest form — an acoustic guitar with an unexpected filter over the singer’s voice. This gives the track a brand-new texture and feels like it was ripped straight from a live acoustic performance with Min-hyun’s raw vocals, before folding right back into its full production. If the listener is looking for more than a ballad to relax to — something with a little more atmospheric edge to it — this feels like the best alternative.

YUQI - “Dance of the Galaxy”

Making her solo comeback with her second mini-album, 27, i-dle member YUQI is back with another Chinese-language release that uses the sunflower as a central metaphor: a bloom that holds unspoken anxieties beneath its bright face, yet persistently turns toward the sun. The singer teased the album with its pre-release track, “I Like You,” before releasing its lead single, “Stay.” However, among the six tracks on 27, the one that stands out the most is “Dance of the Galaxy,” a bright, tropical-house-influenced dance track that explores cosmic energy. Thematically, YUQI herself stated “Dance of the Galaxy” was inspired by the critically acclaimed film, Avatar. Through a rhythm-heavy production and sparkling synths, the track is filled with starry-eyed wonder and cathartic freedom, as YUQI soars and ascends to her most authentic self.

KickFlip - “Waste It All With You”

Six months after their last release, My First Kick, seven-member boy group KickFlip has returned with their fifth EP, KICK OFF THE WALL, Pt. 1. While the album received a double title track rollout with “Puzzle Piece” and “Kick Off The Wall (feat. iann dior),” it’s the acoustic-to-rock B-side track, “Waste It All With You” that deserves some attention. Influenced by modern pop-punk and emo styles, the song explores themes of living in the moment and wasting one’s youth with the person or people they care about most. “Race through the night and scream your heart out,” the group sing-shouts in the main hook.

Lyrically, “Waste It All With You” seems to resonate and represent KickFlip the most, with member Donghwa saying he wrote the lyrics thinking about his childhood self, which may be why it feels more connected to his youth. Similarly, KickFlip vocalist Minje echoes the sentiment, explaining that youth is less about doing things perfectly and more about sometimes playing without plans and making mistakes while enjoying the moment, and that the time spent with the members now will probably remain the most precious when they look back later. With soft rapping and lush harmonies, “Waste It All With You” is certain to be a crowd-favorite at the group’s live shows, a place where fans can shout the lyrics at the top of their lungs and feel a sense of liberation among like-minded people.

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