KPOPWORLD #6 (Yves)

KPOPWORLD #6 (KEYVITUP X VAYONN)

KPOPWORLD #5

KPOPWORLD #4

82Major (stylized in all caps) is a South Korean boy band formed by Great M Entertainment. The group consists of six members: Cho Seong-il, Yoon Ye-chan, Nam Seong-mo, Hwang Seong-bin, Park Seok-joon and Kim Do-gyun. The group&#x27;s name is a combination of South Korea&#x27;s calling code (+82) and the word ‘major’, expressing their desire to become a group that represents Korea. They debuted on October 11, 2023, with the single album On.

82MAJOR

82MAJOR have their first music show win — and SEONG MO, who spent over a year presenting trophies on Show Champion as an MC, finally got to receive one

82MAJOR on HEAT, Their First Win, and What Comes Next

BIGHIT MUSIC just opened its 2026 Global Audition, and the door is wide open. Any male born in 2008 or later can apply, from anywhere, with zero restrictions on category – singing, dancing, producing, whatever shows your talent best

BIGHIT MUSIC Opens 2026 Global Audition for Male Talent

ZEROBASEONE, commonly known as ZB1, is a five-member boy group formed through the Mnet survival show &quot;Boys Planet&quot; in 2023. They originally debuted as a nine-member group — along with AND2BLE&#x27;s members Zhang Hao, Ricky, Kim Gyuvin and Han Yujin — under WAKEONE Entertainment, with &quot;In Bloom&quot; setting first-week sales records that demonstrated the massive anticipation built through the survival show. As a project group with a limited contract period, ZB1 operates with an urgency to make every comeback count, and they have delivered with consistent chart-topping releases and sold-out concerts. The group&#x27;s strength lies in their strong individual star power combined with impressive group synergy, cultivated through the intense bonding of their competition experience. Their fandom, ZEROSE, mobilized quickly into one of the most organized fan bases in fourth-generation K-pop. ZB1 represents the continued power of the survival show format to create commercially dominant groups with built-in passionate audiences. On March 15, 2026, they held their last concert as a nine-member boy group, sparking sadness among fans, who had grown fond of the relationship that had developed between the nine boys. As YH Entertainment did not renew the contracts of Zhang Hao, Ricky, Kim Gyuvin, and Han Yujin with WAKEONE, ZB1 are now promoting their career as a five-member boy group, with Sung Hanbin, Kim Jiwoong, Seok Matthew, Kim Taerae, and Park Gunwook.

ZEROBASEONE

Seok Matthew and Park Gunwook, members of WakeOne’s ZEROBASEONE, have announced the September 21 release of their long awaited sub-unit project under the duo name ‘EMP’

ZEROBASEONE’s Seok Matthew and Park Gunwook Announce Mixtape Under Sub-unit ‘EMP’

Rookie groups have taken over this week’s latest K-pop releases with songs that are intense, dramatic, soft, and lighthearted

Comeback Corner: IU, YOUNGTAK, NAZE & MORE

TOMORROW X TOGETHER, often shortened to TXT, is a five-member boy group under BIGHIT MUSIC. The group consists of Soobin, Yeonjun, Beomgyu, Taehyun, and Huening Kai. They debuted in March 2019 with The Dream Chapter: Star, becoming BigHit&#x27;s first boy group after BTS and immediately attracting heavy attention. TXT&#x27;s early identity centered on youth, friendship, imagination, and the strange emotional weather of growing up. Instead of debuting with a hard-edged performance image, they leaned into brightness, fantasy, and vulnerability on songs such as &quot;Crown,&quot; &quot;Run Away,&quot; and &quot;Blue Hour.&quot; That made the group feel distinct within fourth-generation boy-group trends, especially because their storytelling often treated adolescence as magical, confusing, and a little unstable. As their catalog developed, TXT added sharper pop-rock, emo, and dance influences through songs like &quot;0X1=LOVESONG,&quot; &quot;LO$ER=LOVER,&quot; &quot;Sugar Rush Ride,&quot; and &quot;Chasing That Feeling.&quot; The members&#x27; strengths map cleanly onto that evolution: Soobin&#x27;s calm leadership, Yeonjun&#x27;s performance charisma, Beomgyu&#x27;s color, Taehyun&#x27;s vocal focus, and Huening Kai&#x27;s bright tone all help the group move between softness and intensity. TXT&#x27;s fandom is known as MOA, short for Moments of Alwaysness. The group&#x27;s significance is tied to how carefully they built a coming-of-age identity across albums, videos, and performances. Rather than defining themselves through a single sound, TXT became a group about transition itself: childhood into adulthood, fantasy into reality, and polished idol pop into something more emotionally restless.

TOMORROW X TOGETHER

When Dolce &amp; Gabbana named SOOBIN its newest ambassador, they led with skincare. Alongside the expected fashion portraits, his debut imagery puts glass skin and product front and center. It's not a random choice

SOOBIN, Dolce & Gabbana and the Growing Power of Male K-Beauty

NCT, short for Neo Culture Technology, is a boy group project under SM Entertainment. The system was built around multiple units, changing combinations, and regional expansion rather than a single fixed lineup, making NCT one of SM&#x27;s most ambitious idol structures. The project began publicly through NCT U in 2016, then expanded through fixed or semi-fixed units such as NCT 127, NCT Dream, WayV, and NCT WISH. Each unit carries a different role: Seoul-based performance, youth-to-adult growth, Chinese-language promotion, rotational experiments, and the final new-team expansion. NCT&#x27;s music is often associated with dense production, experimental structures, and performance-heavy arrangements. The group&#x27;s system allowed SM to place members in songs by concept, which helped produce very different sounds under the same brand without asking every unit to serve the same identity. The project also made member identity central to the fan experience. NCTzen follows not only the full brand but also unit dynamics, cross-unit collaborations, and individual member activities, which makes the profile more complex than a normal group page. NCT is both a group brand and a structure for multiple teams. That structure shaped how SM approached global boy-group promotion from the mid-2010s onward, making the project as much about organization and unit design as individual songs.

Within the space of a week, NCT lost two founding members – Mark exiting the group entirely, with Ten departed SM Entertainment while remaining an active member of NCT and WayV

With MARK and Ten Leaving SM Entertainment, What’s Next For NCT?

When Mark Lee confirmed his departure from NCT after a decade, the response was unlike anything K-pop has seen before. Within 24 hours, his handwritten letter had accumulated millions of likes, shares, and comments – but what stood out wasn't the numbers

Mark Lee Has Left NCT – And The Response is Unlike Any Other

ITZY is a five-member girl group formed by JYP Entertainment, consisting of Yeji, Lia, Ryujin, Chaeryeong, and Yuna. They debuted in February 2019 with &quot;Dalla Dalla&quot;, a song built around self-acceptance, difference, and the refusal to fit neatly into other people&#x27;s expectations. ITZY&#x27;s early identity was direct and performance-forward. &quot;Icy&quot;, &quot;Wannabe&quot; and &quot;Not Shy&quot; expanded the same confidence-first message with sharper choreography, chant-like hooks, and a visual style that mixed teen crush, streetwear, and runway attitude. Their dances became a major part of the group&#x27;s public image, with Ryujin&#x27;s shoulder move in &quot;Wannabe&quot; standing out as one of the most recognizable fourth-generation choreography moments. The group&#x27;s strength is the way its members divide the performance picture. Yeji gives ITZY a precise leader and dance center, Lia brings a warmer vocal tone, Ryujin anchors the cool charisma, Chaeryeong adds technical dance detail, and Yuna gives the group a bright visual spark. Even when the music shifted into different textures, that balance kept ITZY recognizable as a group built around motion, confidence, and clean stage impact. ITZY&#x27;s fandom is known as MIDZY. Their place in K-pop comes from helping define the fourth-generation girl-group language of self-confidence: louder than simple cuteness, less dark than some girl-crush concepts, and built for fans who wanted slogans they could actually say back to themselves.

ITZY

In February, ITZY performed an updated version of their 2020 B-side "THAT'S A NO NO" on tour – and within weeks, a six-year-old deep cut had become a TikTok challenge, climbed the Korean charts, and landed the group a special MCountdown stage

ITZY’s “THAT’S A NO NO” And The Power of Virality 

Pitchfork gave BTS's ARIRANG a 5.3 – and the response from a section of the fanbase was swift and ugly

A Korean-American Critic Reviewed ARIRANG – The Response Said More Than the Score

When ENHYPEN's Heeseung departed the group on March 10, fans didn't just take to social media

How Far Is Too Far When It Comes To Defending K-pop Idols?

AI-generated visuals in K-pop music videos aren't new, but they're becoming harder to ignore

K-pop Is Normalizing AI-Generated Visuals – And It’s Becoming A Problem

The project group model has produced some of K-pop's biggest acts. It's also one of the industry's least examined emotional blind spots

Project Groups Are All The Rage in K-pop – But At What Cost?

Park Jin Young is stepping down as internal director at JYP Entertainment – and it makes complete sense

JYP Was Always an Artist First – and Now He's Proving It

ENHYPEN is a boy group formed through the 2020 survival show I-LAND and managed by Belift Lab. The current lineup consists of Jungwon, Jay, Jake, Sunghoon, Sunoo, and Ni-ki. They debuted in November 2020 with Border: Day One, arriving with a built-in global audience from the show and a concept built around connection, transformation, and fate. The group&#x27;s early work used dark, dramatic imagery to separate them from brighter rookie-boy-group formulas. &quot;Given-Taken,&quot; &quot;Drunk-Dazed,&quot; &quot;Fever,&quot; and later songs in the Dimension and Dark Blood eras leaned into supernatural metaphors, sharp choreography, and a tension between elegance and danger. That made ENHYPEN feel less like a simple survival-show product and more like a group with a continuing storyline. ENHYPEN&#x27;s member appeal is strongly performance-based. Jungwon gives the team a steady center as leader, Jay and Jake bring international texture, Sunghoon&#x27;s skating background informs his clean stage image, Sunoo adds brightness and contrast, and Ni-ki anchors the dance line with unusual precision for a maknae. Their fandom, ENGENE, grew quickly because the group&#x27;s identity invited close reading: fans could follow the music, the lore, and the members&#x27; development at the same time. As a fourth-generation act, ENHYPEN&#x27;s importance sits between survival-show fandom and global idol scale. They showed how a group could debut with a transnational audience already watching, then keep that audience through consistent visual storytelling, polished performance, and songs that made adolescence feel mythic rather than ordinary.

ENHYPEN

HEESEUNG is leaving. Not at the end of a contract, but at their peak. His letter to ENGENEs speaks of personal work kept private, of ambitions he didn't want to place ahead of his team, of a decision made after "a long period of deliberation."

The End of an Era: HEESEUNG Departs ENHYPEN – And Nobody Saw It Coming

BLACKPINK is a four-member South Korean girl group formed by YG Entertainment, consisting of Jisoo, Jennie, Rosé, and Lisa. They debuted on August 8, 2016 with Square One, led by &quot;Boombayah&quot; and &quot;Whistle,&quot; and arrived as YG&#x27;s first new girl group after 2NE1. From the beginning, the group was presented less as a large idol ensemble and more as four sharply individualized performers, each with a distinct vocal tone, visual identity, and public role. The group&#x27;s name captures the tension that became central to their image: &quot;black&quot; for a harder, more self-assured edge and &quot;pink&quot; for glamour, playfulness, and pop accessibility. Their music often builds around that contrast. Jennie and Lisa&#x27;s rap sections give many songs a clipped, percussive center, while Jisoo and Rosé&#x27;s vocals provide melodic lift and emotional color. This structure made BLACKPINK songs easy to recognize even across different producers, languages, and markets; the group could move from the spare whistle hook of their debut to the maximal drops of &quot;DDU-DU DDU-DU&quot; and still feel like the same act. BLACKPINK&#x27;s rise was also shaped by scarcity. Compared with many idol groups, they released relatively few songs in their first several years, which made each comeback feel closer to an event than a routine promotional cycle. That strategy had tradeoffs, but it concentrated public attention on a small set of songs, videos, styling choices, and stage moments. Tracks such as Kill This Love, How You Like That, Pink Venom, and Shut Down became reference points for a global-facing K-pop style built around impact, visual clarity, and immediately repeatable hooks. Their international growth came from more than chart performance. BLACKPINK connected K-pop&#x27;s idol system with the language of global pop, luxury fashion, digital fandom, and festival stages. They were the first Korean girl group to perform at Coachella in 2019 and returned in 2023 as the first K-pop act to headline the festival. Collaborations with Western pop artists, major fashion-house relationships, and an unusually large YouTube and social-media footprint helped make the members visible to audiences who did not necessarily follow Korean music closely. As individual artists, all four members developed major careers in music, acting, fashion, and brand work, making BLACKPINK one of the clearest examples of a modern K-pop group whose group identity and solo identities reinforce each other. After renewing with YG for group activities, the members&#x27; individual paths became more independent while BLACKPINK remained active as a shared brand and performance unit. Their significance is not only that they broke records, but that they helped normalize a model where a K-pop girl group could operate simultaneously as an idol act, a global pop project, and a set of four standalone celebrity careers. The fandom is known as BLINK.

BLACKPINK

Ask someone to name a K-pop group and chances are they’ll say BLACKPINK. What’s less obvious is how small their group catalogue actually is in nearly a decade – and yet stadium tours, Coachella headlines, global brand dominance

The BLACKPINK Paradox: How Fewer Than 40 Songs Built a Global Empire

At Belfast’s SSE Arena last week, audience members at KPop Forever! were asking a surprising question: when was “K-pop” coming on?

K-pop Without Context: Analysing the Belfast Backlash

BTS, also known as the Bangtan Boys, is a South Korean boy band formed by Big Hit Music in 2010 and debuting on June 12, 2013, with the single album &quot;2 Cool 4 Skool&quot;. The group consists of seven members: RM (leader), Jin, Suga, J-Hope, Jimin, V, and Jungkook. The name BTS stands for Bangtan Sonyeondan (“Bulletproof Boy Scouts”), reflecting the group’s original concept of resisting societal expectations and criticism aimed at youth. Members RM, Suga, and J-Hope have played significant roles in songwriting and production throughout the group’s career. BTS first gained widespread attention with the [The Most Beautiful Moment in Life, Pt. 1 era], particularly the single I Need U, which earned the group their first Korean music show win in 2015. Their international breakthrough followed with releases such as Wings and the Love Yourself series. In 2018, &quot;Love Yourself: Tear&quot; became the first album by a Korean act to reach No. 1 on the Billboard 200. The group achieved further global success with singles including &quot;Dynamite&quot;, &quot;Butter&quot;, and &quot;Permission to Dance&#x27;&quot;, all of which reached No. 1 on the Billboard Hot 100. BTS is among the best-selling artists in South Korean history and has received numerous international awards, while also participating in global initiatives such as the UNICEF Love Myself campaign. Between 2022 and 2025, BTS paused full-group activities as the members completed South Korea’s mandatory military service. The last member, Suga, was discharged in June 2025, marking the completion of service for all seven members. Following their reunion, the group confirmed they were preparing a new album and world tour for 2026. Their tenth studio album, &quot;ARIRANG&quot;, recorded between July and November 2025, was released on March 20, 2026, marking their first group release in more than three years. The album will be supported by the Arirang World Tour, beginning in April 2026.

BTS aren’t introducing their new album ARIRANG with a tracklist or a teaser photo. They’re doing it with a single question: WHAT IS YOUR LOVE SONG?

Feature