The Seoul-born singer-songwriter is 17 years old, less than two years into her career, and already operating on her own terms – writing and producing her music

ZIN CHOI

NEUK JUN, formerly a masked anonymous performer, steps back into the spotlight with THE ARRIVAL, revealing his identity and new chapter&nbsp;

NEUK JUN: Face Value

KPOPWORLD #5

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David Yong's route into K-pop doesn't follow the standard idol playbook. After discovering the genre through BIGBANG and TWICE, the Singaporean entrepreneur drew on years of vocal training as he took on Korean-language study, dance lessons, and recording in Seoul

From Fan to Artist-Executive: David Yong on His K-pop Journey

NEXZ is a seven-member Japanese boy group formed by JYP Entertainment and Sony Music Japan through the Japanese reality show Nizi Project Season 2. The group&#x27;s name means Next Z(G)eneration, and was coined by J.Y. Park to represent the wish for the group to lead JYPE into the future. The final episode premiered on December 15, 2023, revealing the debut lineup, ranked as follows: Tomoya, Haru, Yuki, Ken (So Geon), Yu, Yuhi (Hyui), and Seita. They debuted with the Korean song &quot;Ride the Vibe.&quot;

NEXZ

When NEXZ released "Mmchk" in April 2026, the seven-member group's first comeback of the year sold over 444,000 copies in its first week – a new career high – topped the Circle Chart retail album chart, and earned them their first number one on a Korean music broadcast

NEXZ: Nowhere Left But Up

Beyond the K-pop groups and the choreography that dominate headlines, another wave of singer-songwriters and independent artists from South Korea’s music scene has been building its own audience. DORI is part of that wave, though she arrived at it from an unlikely direction

DORI Speaks in Colour

dodree is the first Subunit of the girl group DDDD 25. The unit is composed of members Na Yeongjoo and Lee Songhyun. They debuted on January 21, 2026, with the single album &quot;Just Like A Dream&quot;.

dodree

dodree calls their sound "K-rossover Pop" – pansori vocals, gayageum riffs, and dance moves pulled from traditional Korean line-drawing movement, subverted within their growing catalog by utilising modern elements like trap beats and dreamy synths

dodree: The Mysterious Duo Under JYP

CHOI YU REE returns with Stay: Two, the companion EP to last year's Stay: One – but this isn't a sequel that continues the story

Track-By-Track: CHOI YU REE’s Stay: Two

Stray Kids is an eight-member boy group under JYP Entertainment, consisting of Bang Chan, Lee Know, Changbin, Hyunjin, Han, Felix, Seungmin, and I.N. The group was introduced through the 2017 survival program Stray Kids and officially debuted in March 2018 with I Am Not, following the pre-debut release &quot;Hellevator.&quot; Former member Kim Woojin left in 2019. The group&#x27;s identity is unusually tied to self-production. Before debut, Bang Chan had already gathered the members around a team-first concept, and the production trio 3RACHA -- Bang Chan, Changbin, and Han -- became the engine behind much of Stray Kids&#x27; sound. That gave the group a different center of gravity from many idol acts: the music often felt like it came from inside the team rather than being assigned to them. Musically, Stray Kids are known for dense rap writing, aggressive electronic textures, sudden rhythmic switches, and choruses built for performance impact. &quot;God&#x27;s Menu,&quot; &quot;Back Door,&quot; &quot;Thunderous,&quot; &quot;Maniac,&quot; and &quot;S-Class&quot; made their style easy to identify: noisy in the intentional sense, but organized around hooks, slogans, and choreography that fans could immediately hold onto. Their lyrics often return to pressure, self-definition, ambition, and the awkward process of growing into confidence. The members&#x27; contrast is a major part of the group&#x27;s appeal. Bang Chan anchors the team as leader and producer; Changbin and Han give the rap line speed and personality; Lee Know, Hyunjin, and Felix shape the performance image; Seungmin and I.N bring clearer melodic balance. Rather than smoothing those differences out, Stray Kids usually lean into them, making their songs feel crowded, restless, and unmistakably theirs. Stray Kids became one of the defining global boy groups of the fourth generation, with a fandom known as STAY and major touring success across Asia, North America, Europe, and beyond. Their rise helped prove that a self-producing idol group could scale internationally while keeping a specific sonic fingerprint. Even when the group experiments with genre or language, the core idea remains stable: Stray Kids make high-impact pop out of tension, noise, teamwork, and control.

Stray Kids

JYP Entertainment’s Stray Kids has earned their ninth number one on the Billboard 200 with THIS &amp; THAT, becoming the only Asian act in history to do so

Stray Kids Achieve History-Making Ninth Billboard 200 No. 1 with ‘THIS & THAT’

&nbsp;This week’s Last Week In K-pop, Interpreted asks: what does it cost to keep up? V and Jungkook face physical strain, Gunil’s exit exposes label disconnects, BIGBANG proves comebacks don’t need the full group, and NCT 127 returns to the U.S. after four years.&nbsp;

Last Week In K-pop, Interpreted (August 10 - August 14, 2026)

KATSEYE is a multinational girl group formed through the reality competition series Dream Academy, a collaboration between HYBE and Geffen Records. The group debuted in June 2024 with the single &quot;Debut&quot;. KATSEYE consists of six members from different countries: Daniela Avanzini, Lara Rajagopalan, Manon Bannerman, Megan Skiendiel, Sophia Laforteza, and Yoonchae Jeong. The group was created to combine Kpop training with a global pop approach, featuring members from North America, Europe, and Asia. The group first gained attention through the documentary series The Debut: Dream Academy (or Pop Star Academy: KATSEYE on Netflix), which followed the trainees&#x27; journey during the Dream Academy project and the process of forming the final lineup. KATSEYE&#x27;s music blends elements of pop, dance, and K-pop-influenced production while targeting a global audience with multilingual promotion and international activities.

KATSEYE

Two KATSEYE members have stepped back from group activities within six months of each other – first Manon, now Sophia – just as the group's first documentary, third EP, and debut world tour all land within weeks of one another

What Both KATSEYE Members’ Hiatuses Say About The Group’s Current Condition

K-pop fandom has never just been about consumption. Fans have spent decades archiving, translating, and sharing content, driven by both accessibility and the instinct to protect moments that might otherwise disappear from an artist's history entirely

K-Pop Fans Are Not Just the Audience - They're the Archive

This week’s K-pop releases bring back two NCT subunits — WayV and 127 — both of which have had members recently exit SM Entertainment

Comeback Corner: WayV, NCT 127, Hearts2Hearts & More

BIGBANG is a South Korean boy group formed by YG Entertainment, debuting in 2006 and becoming one of the most influential acts in K-pop history. The current profile centers on G-Dragon, Taeyang, and Daesung, with T.O.P and Seungri tied to earlier chapters of the group. The group&#x27;s importance comes from how strongly it changed expectations for idol music and image. BIGBANG made self-production, individual fashion identity, and genre-blending central to its appeal, with G-Dragon&#x27;s songwriting and public style playing a major role in the group&#x27;s reputation. Musically, BIGBANG moved through hip-hop, R&amp;B, electronic pop, ballads, and festival-sized dance tracks without losing a recognizable identity. Songs such as &quot;Lies,&quot; &quot;Haru Haru,&quot; &quot;Fantastic Baby,&quot; and &quot;Bang Bang Bang&quot; became reference points for later idol groups trying to balance mainstream hooks with stronger artist branding. The members also became major solo figures, which helped the group feel less like a standard idol team and more like a collection of distinct pop stars. That individual power brought both longevity and complications, especially as military service, controversies, and member departures changed the group&#x27;s public shape. The fandom is known as V.I.P. BIGBANG is a defining second-generation group whose impact on K-pop music, fashion, performance, and global ambition is difficult to separate from the genre&#x27;s modern history.

BIGBANG

YG Entertainment have confirmed that BIGBANG have been appointed as the first honorary ambassadors of Korea’s aerospace agency (KASA) as of August 14

BIGBANG Appointed as First Honorary Ambassadors for Korea’s Space Agency

Self-produced soloist ALL’N has released his second single, “Dream Higher.” He first entered the industry as a trainee on the Chinese survival show Youth With You

ALL’N Releases Second Violin-led Single “Dream Higher”

ALL(H)OURS is a South Korean boy group under EDEN Entertainment. The group debuted on January 10, 2024 with the mini album ALL OURS and the title track &quot;GOTCHA.&quot; Its lineup consists of Kunho, Youmin, Xayden, Masami, Hyunbin, Minje, and ON:N. The group&#x27;s fandom is known as Min(ut)e. The name ALL(H)OURS suggests a team that is ready to give everything at every hour, a theme that fits the group&#x27;s high-impact performance style. After debut, the group continued building its discography through releases such as WITNESS, Smoke Point, VCF, and NO DOUBT, balancing sharp choreography with direct, energetic title tracks.

ALL(H)OURS

Fifth-generation boy group ALL(H)OURS are set to release their sixth mini album ‘UNBOUND’ on September 10, 2026, ahead of their first world tour

ALL(H)OURS To Release Sixth Mini Album ‘UNBOUND’

TWICE is a nine-member girl group formed by JYP Entertainment through the survival show Sixteen. The lineup consists of Nayeon, Jeongyeon, Momo, Sana, Jihyo, Mina, Dahyun, Chaeyoung, and Tzuyu, with members from South Korea, Japan, and Taiwan. They debuted in October 2015 with &quot;Like Ooh-Ahh,&quot; introducing the bright, kinetic identity that would make them one of the central girl groups of K-pop&#x27;s third generation. The group&#x27;s early rise was built on an unusually clear pop formula: big choruses, memorable gestures, colorful styling, and personalities that were easy for viewers to distinguish. A run led by &quot;Cheer Up&quot; and &quot;TT&quot; turned TWICE into a national-level phenomenon in Korea, while their Japanese members helped the group cross naturally into Japan&#x27;s idol and pop markets. Rather than relying on a single vocal or dance center, TWICE worked because the lineup felt balanced as a whole: playful, approachable, and tightly rehearsed. As the members grew older, TWICE gradually expanded beyond the cute and school-age image attached to their first hits. The move from &quot;Fancy&quot; through &quot;I Can&#x27;t Stop Me&quot; kept the group&#x27;s melodic accessibility while bringing in sleeker dance-pop, disco, synth-pop, and more mature performance styling. That evolution mattered because it let TWICE remain recognizable without staying frozen in their debut concept. TWICE also became one of the clearest examples of a K-pop girl group building a long international career without losing its domestic base. Their Korean and Japanese discographies developed side by side, and later global touring brought the group to arenas and stadiums far beyond East Asia. The fandom is known as ONCE, a name that matches the group&#x27;s long-running emphasis on mutual loyalty between the members and their audience. Their legacy is not only commercial. TWICE helped define what a modern large girl group could be: member-driven, visually bright, musically immediate, and durable enough to age into a second phase. They normalized the idea that a top K-pop girl group could keep all members active across many years, shift concepts without abandoning its core warmth, and still feel like a complete team even as individual members developed solo work, acting, modeling, and unit activities.

TWICE

TWICE’s Chaeyoung has announced the termination of her exclusive contract with JYP Entertainment. In a handwritten letter, Chaeyoung thanks JYP for the 14 years she spent at the company

TWICE’s Chaeyoung Leaves JYP Entertainment for ‘LIL FANTASY’ Project

TOMORROW X TOGETHER, often shortened to TXT, is a five-member boy group under BIGHIT MUSIC. The group consists of Soobin, Yeonjun, Beomgyu, Taehyun, and Huening Kai. They debuted in March 2019 with The Dream Chapter: Star, becoming BigHit&#x27;s first boy group after BTS and immediately attracting heavy attention. TXT&#x27;s early identity centered on youth, friendship, imagination, and the strange emotional weather of growing up. Instead of debuting with a hard-edged performance image, they leaned into brightness, fantasy, and vulnerability on songs such as &quot;Crown,&quot; &quot;Run Away,&quot; and &quot;Blue Hour.&quot; That made the group feel distinct within fourth-generation boy-group trends, especially because their storytelling often treated adolescence as magical, confusing, and a little unstable. As their catalog developed, TXT added sharper pop-rock, emo, and dance influences through songs like &quot;0X1=LOVESONG,&quot; &quot;LO$ER=LOVER,&quot; &quot;Sugar Rush Ride,&quot; and &quot;Chasing That Feeling.&quot; The members&#x27; strengths map cleanly onto that evolution: Soobin&#x27;s calm leadership, Yeonjun&#x27;s performance charisma, Beomgyu&#x27;s color, Taehyun&#x27;s vocal focus, and Huening Kai&#x27;s bright tone all help the group move between softness and intensity. TXT&#x27;s fandom is known as MOA, short for Moments of Alwaysness. The group&#x27;s significance is tied to how carefully they built a coming-of-age identity across albums, videos, and performances. Rather than defining themselves through a single sound, TXT became a group about transition itself: childhood into adulthood, fantasy into reality, and polished idol pop into something more emotionally restless.

TOMORROW X TOGETHER

TOMORROW X TOGETHER’s YEONJUN held his first solo concert, titled “Billboard: One Night Only,” at the Troubadour in Los Angeles on August 12, 2026

Track-By-Track: CHOI YU REE’s Stay: Two

Stray Kids Achieve History-Making Ninth Billboard 200 No. 1 with ‘THIS & THAT’

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ZIN CHOI

NEUK JUN: Face Value

News

Last Week In K-pop, Interpreted (August 10 - August 14, 2026)

What Both KATSEYE Members’ Hiatuses Say About The Group’s Current Condition

K-Pop Fans Are Not Just the Audience - They're the Archive

Comeback Corner: WayV, NCT 127, Hearts2Hearts & More

BIGBANG Appointed as First Honorary Ambassadors for Korea’s Space Agency

ALL’N Releases Second Violin-led Single “Dream Higher”

ALL(H)OURS To Release Sixth Mini Album ‘UNBOUND’

TWICE’s Chaeyoung Leaves JYP Entertainment for ‘LIL FANTASY’ Project

TOMORROW X TOGETHER’s YEONJUN Holds First Solo Concert

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