Comeback Corner: TXT gets tender, Highlight bring back legacy, and CHEN breaks our hearts again.
by Hasan Beyaz

Welcome to Comeback Corner, your sharpest edit of what’s new and necessary. Each week, Comeback Corner rounds up the K-pop releases that truly delivered.
Whether it’s TXT’s featherlight introspection in “Love Language” or HyunA’s maximalist defiance on “Mrs. Nail,” this week’s songs reveal a shared undercurrent: identity in flux, and the fight to define it on one’s own terms.
Veteran acts like Highlight and CHEN remind us what longevity sounds like: restraint, emotional clarity, and the confidence to avoid overcompensating. On the flip side, newer names like TRENDZ are still mid-evolution, throwing ideas at the wall with varying levels of finesse. But even that trial-and-error has value. It reflects a wider truth: in K-pop, identity is something you earn, unearth, and rewrite in real time.
Taken together, these releases form a kind of moodboard for where K-pop sits in May 2025: post-genre, emotionally articulate, and constantly navigating the line between self-expression and survival. The good news? There’s space for all of it — and all of them — in the ecosystem. As long as they’re willing to risk vulnerability, reinvention, or rawness, there’s still something thrilling to witness.
TOMORROW X TOGETHER - “Love Language”
With a featherlight groove and lyrics that circle the question “What’s your love language?”, TXT’s “Love Language” flutters between curiosity and yearning, echoing the emotional candour of past TXT gems like “Our Summer” and “I’ll See You There Tomorrow.” “Love Language” is the sound of a group leaning into restraint, trusting nuance, and letting charm carry the performance. The choreography echoes that mood, centring around a subtle ‘love lock’ gesture. It’s sleek, sincere, and emotionally articulate – TXT at their most grown.
HIGHLIGHT - “Chains”
With “Chains,” Highlight prove exactly why longevity matters. Now reunited with the name that first defined them (BEAST/B2ST), the group deliver a track that feels both triumphant and deeply seasoned, an anthem built not on trend-chasing, but on conviction. Their vocals, unmistakable and undiminished, cut clean through the production, anchoring “Chains” in the kind of emotive delivery that’s increasingly rare in a choreography-first industry. It’s a reminder that K-pop’s roots lie in songcraft and presence, and few do it better than these veterans, who continue to evolve without losing an ounce of identity.
FIFTY FIFTY - “Pookie”
Against all odds and industry politics, FIFTY FIFTY are back, and “Pookie” is a bubblegum blitz with bite. It opens with sugar-snap brightness, bursting into a hook that sticks instantly, like glitter on skin. Sonically, it throws back to the kind of classic K-pop that prized earworms and energy over overproduction. There’s a sly confidence here, cloaked in cuteness, the kind that builds a cult following out of nowhere. With “Pookie,” FIFTY FIFTY channel charm, chaos, and a growing sense of momentum.
TRENDZ - “Chameleon”
With “Chameleon,” TRENDZ step into the cypher — literally. The track is a genre flip into old-school hip-hop stylings, led by a relentless chant-hook and braggadocio bars. The sonic direction is bold, but not always subtle; the chorus repeats like a loop stuck on fast-forward, blurring novelty into near-exhaustion. Still, there’s intrigue in the chaos. TRENDZ are clearly trying to define their own lane, and while “Chameleon” leans more into repetition than refinement, the identity play at its core is worth watching.
Kep1er - “YUM”
On “YUM,” Kep1er serve high-gloss house-pop with a sugar-rush twist. Released ahead of their Japanese EP Against The World, the track spins the metaphor of sweetness into a declaration of power; the kind that skips past doubt and lands directly in confidence. With thumping beats and lyrics likening challenges to bite-sized treats, “YUM” is glossy, bright, and just cheeky enough to make an impact. It’s not subtle, but it is self-assured – a neon-lit reminder of Kep1er’s ability to dance through pressure.
Kim Yuna - “While I Loved You”
“While I Loved You” glides like steam curling from a morning coffee; mellow, understated, and quietly aching. Kim Yuna delivers a dusky, café R&B ballad that hums with intimacy. Like pages from a worn diary or memories replayed in sepia tones, this is a song for slow afternoons and soft emotional spirals.
CHEN - “Broken Party”
CHEN’s “Broken Party” is a slow-burning rock-pop requiem, an invitation to dance in the ruins of a love that once felt eternal. The lyrics, filled with lost-time imagery and phantom memories, sit atop a cinematic arrangement that swells like a rising tide. There’s pain here, but also dignity. As CHEN sings of dancing with ghosts of the past, his voice — tender, raw, resolute — pulls the listener into the quiet catharsis of grief. The heartbreak is real, but so is the healing.
HyunA - “Mrs. Nail”
With “Mrs. Nail,” HyunA returns as a fashion-forward femme fatale: black hair, red lips, and a crimson dress made of metaphor and menace. Sonically, it hits like 4Minute’s “Hate” collided with her “Change” era chaos: maximal, muscular, and magnetic. The lyrics — referencing the idea of being a ‘nail’ that can’t be hammered down — speak to her long-standing refusal to be erased, shaped, or subdued. Every beat is dipped in bravado, every line a mic-drop. It’s high camp with grit underneath, a reminder that HyunA’s artistry isn’t about playing nice — it’s about never playing small.
Come back next week for the latest picks!