KATSEYE's WILD Arrives as ATEEZ and Stray Kids Add to a Strong Week for K-Pop on YouTube
By Hasan Beyaz
This week's YouTube chart data reflects one of the stronger periods for K-pop in recent memory, with KATSEYE, ATEEZ, and Stray Kids all making simultaneous moves across the global and US rankings.
KATSEYE made a significant chart impact on release day for their third EP WILD, which dropped on 14 August. The global pop group landed ten entries on the US Daily Top Music Videos chart on the day of release, led by new tracks "That Way" and "Bel Air" at #2 and #3 respectively. Their recent singles continue to hold as well – "Animal" and the LE SSERAFIM and ILLIT collaboration "ICONIC BY MISTAKE" both chart on the Global Weekly Top Music Videos at #11 and #17. For a group still building their footprint, the breadth of that chart presence across multiple tracks and formats points to an audience that's actively engaged rather than just passively streaming.
The live version of "Animal" has also taken on a life of its own. It sits at #3 on the US Top Songs chart and #4 globally this week – an unusual chart position for a live recording, and a signal that the performance itself became the moment rather than a promotional add-on.
Stray Kids also make their presence felt this week with "This & That," the title track from their new EP. The eight-member group land at #25 on Global Top Songs and #30 in the US, accumulating over 13.1 million views across territories in the charting period – but the YouTube numbers are only part of the picture. This & That debuted at #1 on the Billboard 200 this week with 369,000 equivalent album units, the group's ninth chart-topping album and their biggest opening week to date. That puts them level with the Rolling Stones for second-most number one albums in Billboard 200 history among groups, behind only the Beatles. The title track also debuted at #38 on the Hot 100, their highest-ever position on the singles chart. The YouTube result – driven by a combination of the music video, a dance practice video, and behind-the-scenes footage – sits within a much larger commercial picture. At this point, Stray Kids are not charting well for a K-pop group. They are simply charting well.
ATEEZ continue their run with "BAD," climbing to #16 on Global Top Songs this week on the back of over 16.4 million views in the charting period. The track dropped nearly two months ago, and the fact that it's still climbing rather than settling suggests it hasn't reached its ceiling yet. The official video – which features One Battle After Another actress Chase Infiniti, the breakout star of Paul Thomas Anderson's 2025 film – has now accumulated more than 56 million views since release, a number that keeps growing well outside the initial release window. That kind of crossover casting doesn't happen by accident; it positions the track inside a wider cultural conversation, and the data suggests that conversation is still expanding.
Elsewhere, HUNTR/X's "Golden" climbs to #2 on the Global Top Songs chart – more than a year after KPop Demon Hunters hit Netflix on 20 June 2025. A soundtrack record still placing in the global top two over a year after release is not a chart anomaly; it's a reflection of how completely that film embedded itself into the culture. The sequel is confirmed and eyeing a 2029 release – a long wait by any measure, and one the directors themselves have suggested may stretch further. If "Golden" keeps charting like this, the gap might not feel quite so long.
Taken together, this week's data sketches a picture of a genre that has long outgrown the question of whether it can sustain global relevance. From a soundtrack record over a year old still sitting in the global top two to a girl group dominating the charts across multiple tracks on release day, the pattern is consistent – and the chart data keeps making the same argument week after week.