LE SSERAFIM Releases Special “Celebration” Remix For DC Studios’ Supergirl

It’s always fun when Hollywood productions crossover with K-pop — this time, it’s LE SSERAFIM’s turn with a special remix of their latest title track, “Celebration,” for the upcoming Supergirl film. Some might wonder what the two have in common, but it’s actually easier to see than one might initially think. Throughout the Supergirl trailer, we see quick flashes of the titular character partying it up in a bar that’s presumably on a planet with a red sun, considering Kryptonians like her and her cousin Superman physically can only get drunk under a red sun. This is where LE SSERAFIM fits in, with a track that’s already club-heavy in its techno sound and adrenaline-inducing in its energy, but dialed up to 11 in the remix — a perfect fit to play in the background of Supergirl’s wild bar adventures.

But it’s not just the song’s party vibes that make it a good candidate to be featured in the film; it’s actually much deeper than that. On June 1, Warner Bros. officially announced the studio’s collaboration with LE SSERAFIM and why they were chosen as the K-pop representatives for Supergirl. “Warner Bros. proposed this musical project as LE SSERAFIM’s confidence and self-assurance resonated with the powerful aspects of the new hero ‘Supergirl,’ who confronts the world in her own way, despite her wounds and shortcomings,” they stated. “The song also perfectly complements the growth narrative and spectacular action of Supergirl, who possesses a new dimension of charm, breaking away from the typical hero image.”

Since their 2022 debut, LE SSERAFIM’s music has always advocated for empowerment and unapologetic confidence, and “Celebration” is no different. With lyrics of facing one’s fear and overcoming adversaries, the song rings especially true when put into context with the arc that Supergirl will embark on in this upcoming film. It’s clear this collaboration isn’t just a run-of-the-mill, cash grab partnership — this was carefully thought out to not only reflect Supergirl’s journey, but to commemorate LE SSERAFIM for continuing the path they’ve already carved so well. Starting June 24, fans will hear the “Celebration” remix featured in the film, only in screenings throughout Asia, but which scene it’s featured in remains a mystery until then.

Reporter Indicted For Defamation Against THE BOYZ’s Ju Haknyeon

On June 2, it was reported that the Korean reporter who claimed former THE BOYZ member Ju Haknyeon had engaged in prostitution was indicted on May 12 by the Seoul Western District Prosecutors’ Office. This comes nearly a year after the reporter, only identified by the surname Choi, initially published the article and was sued for defamation by Haknyeon. Additionally, despite having no solid evidence of said claims, K-pop agency ONE HUNDRED terminated Ju Haknyeon’s contract without notice, effectively removing the member from TBZ’s lineup in June 2025.

Since being cleared of the allegations last July, Ju Haknyeon’s case is a win for idols and other public figures who are either wrongfully accused of a crime or the victim of libel. Rather than remain silent or hope that it all blows over, Haknyeon has been vocal in standing up for himself since day one of this so-called “controversy.” On social media, shortly after the allegations were published, the singer posted, “I will hold accountable to the very end the reporter and media outlet that portrayed me as a sex offender without any evidence,” adding, “I have filed a criminal complaint against the reporter for publishing false reports.”

The response and follow-through are no small feats — usually, when idols are involved in defamation cases, it’s their companies pressing charges on their behalf. However, Ju Haknyeon was essentially hung out to dry by his former label, leaving the singer to pursue legal assistance on his own accord. Regardless, that didn’t deter the idol from clearing his name and seeking justice, making this an empowering moment in K-pop. Whether the reporter will actually be convicted remains to be seen. Nevertheless, Ju Haknyeon is fighting for a purpose, and it extends far beyond himself, setting a standard for idols to follow.

Former NCT Member Mark Unveils One-Man Agency

Two months after parting ways with SM Entertainment, former NCT member Mark Lee has officially returned to the public eye with his new agency, Upper Room. The label was unveiled in a series of short Instagram videos to capture the essence of what Upper Room stands for. “Written before it was spoken,” one caption wrote, and “The wind carries what is written.” This is a huge development, not just for fans but for Mark, as well, who’s famously known for being introspective and poetic with his words and thoughts. Now listed as co-CEO and independent creator of his own agency, Mark now has free rein to execute his creative vision however he sees fit, apart from his past identity as a member of NCT.

According to Upper Room via press release, “Mark established the creative company together with colleagues he has built trust with over time…the company name signifies more than just a physical space; it represents a place where like-minded people gather to share thoughts and ideas and discover new possibilities.” Even in the description and social media rollout thus far, it’s clear that Upper Room is a much more personal and grounded approach to the entertainment industry than what Mark has experienced up until this point. There’s just so much of him and his thought process, entrenched in the company’s ethos, including his faith, in which the label was heavily influenced by in its name, and includes a Bible verse in one of its first posts.

Looking at this on a broader scale, Mark’s new chapter with Upper Room signifies a growing shift of K-pop idols going independent and choosing themselves over corporate loyalty. And if we zoom in even further, this has been especially prevalent in former SM idols in the last few months: BoA establishing her company, BApal Entertainment, NCT and WayV’s Ten setting up the Tenth Sound, and now Mark with Upper Room. With K-pop artists notoriously either being overworked or underappreciated by major labels, it makes sense that more and more idols are realizing there’s more than one way to navigate this unpredictable industry. For some, like Mark, that means scaling back into something smaller and more intimate that truly represents what they stand for.