KPOPWORLD #5

KPOPWORLD #4

KPOPWORLD #3

KPOPWORLD #2 (Poster Version)

Programado para tomar el Alamodome del 28 al 31 de oct. de 2026

KPOPWORLD Festival & Worldwide Dance Competition

Para su nuevo álbum &lt;itsnotover&gt;, idntt se sentó con KPOPWORLD para hablar sobre de dónde vienen, lo que este grupo les ha exigido y aquello a lo que se niegan a renunciar

idntt: La portada digital de KPOPWORLD

Cerrar una trilogía es fácil. Cerrarla devolviéndole la historia a las personas que la vivieron es otra cosa. Youth: Epilogue de EPEX pone fin a dos años y tres álbumes de narrativa sobre el crecimiento

EPEX habla sobre Youth Epilogue, la autoría y el crecimiento

El 14 de julio, la marca de inner beauty LifePharm anunció que el grupo genderless XLOV se convertirá en sus nuevos Global Ambassadors. La marca es conocida por su línea viral de suplementos dietéticos Mood Change Alpha Plus, descrita como self-care para idols del K-pop.

XLOV Anunciados como Embajadores de la Marca de Inner Beauty LifePharm

El sistema de contratos del K-pop ha experimentado muchos cambios desde los inicios de la industria en la década de 1990. Desde los “contratos esclavitud” de 13 años hasta un plazo reducido de siete años, con opciones de renegociación

El sistema de contratos del K-pop, explicado — y por qué tantos artistas están dejando las grandes discográficas

It’s a personal observation, but ENHYPEN has an exceptional knack for giving their albums poetic names.

ENHYPEN displays their romantic side with "Only If You Say Yes' MV

aespa made their Japanese debut with the maxi single titled "Hot Mess," featuring the eponymous lead track.

aespa stirs up a "Hot Mess" with tantalizing new music video

Generation three K-pop boy group THE BOYZ made a dynamic return with their third full-length Japanese album, Gibberish, featuring the title track of the same name, released in July this year.

THE BOYZ are not taking any of the "Gibberish" from their critics  

Generation five K-pop boy group RIIZE made their Japanese debut with the single "Lucky" and a music video of the same name.&nbsp;

RIIZE feel "Lucky" as they make their Japanese debut

K-pop fans are always eager for collaborations between their favorite idols, and a partnership between a third-generation male idol and two fifth-generation female idols is unexpected, rare, and thrilling.

GOT7's Mark and KISS OF LIFE bring their "SUPERPOWER" to a pulsating OST

FIFTY FIFTY is a rising K-pop girl group under ATTRAKT Entertainment, known for their fresh sound and captivating performances.

Pretty in Pink: FIFTY FIFTY release Starry Night Concept Photos

Certain songs can be best described as "routine songs"—the kind you play on repeat while getting ready for the day, applying makeup, or whipping up breakfast.

KATSEYE unveils a carefree and airy atmosphere in the "Touch" music video

A Japanese girl group based in South Korea, XG showcases K-pop aesthetics with their all-English track, proving that Korean pop has truly gone global.

XG nails it with their latest comeback track "SOMETHING AIN'T RIGHT"

Generation two K-pop stars have a certain classic charisma, nonchalance, and authenticity that sets them apart from today's idols.

BTOB's 90TAN delivers unmatched fun with the lively track "TANG TANG TANG"

Few musical artists can rival BTS' RM in terms of talent, versatility, and artistry.

RM adds a classic 'Tyler, The Creator' twist to the "LOST" MV

As a viewer, one of the first things that struck me about the new K-pop girl group, VVUP, was how relatable and down-to-earth the members appeared.

VVUP makes a stellar comeback with "Ain't Nobody"

All children cherish the soothing lullabies, sung by their parents and grandparents, which help them drift off to sleep and dream sweetly. Similarly, HYUK's music video for "Home" has a similarly heartfelt effect on its listeners.

Comeback